Globetrotting – The Golden Age of Travel (Part II)

 

This is the long-awaited Part II of my look into the Golden Age of Travel.

You can find Part I here!

In this posting, we’ll be looking at what travel was actually like during the late 19th and early 20th centuries, and see just what the pre-war travel experience was actually like. What could you expect? What happened? And how did it perhaps differ from what we might have today? On top of that, we’ll see what changes occurred that meant that the pre-war experience could not be recreated in the decades after the Second World War.

A guard waves his flag. A whistle-chirrup echoes down the platform; a foghorn sounds and the roar of four diesel engines powering a magnificent airship through the air calls us to attention. All aboard for another trip back into the past…

Travel during the Golden Age of Travel

These days, the journey itself is the least luxurious and exciting part of travelling. You get on a bus or train or plane and you just…sit there. For hours at a time, with almost nothing to do. You have a boarding-pass and your passport and nothing else. If you’re lucky, you’ve got the in-flight movie, or you brought a book or your laptop or iPad, with which to while away the time. Or maybe, just maybe, you might actually fall asleep. Only to be woken up an hour later by flight attendants shunting past you with trolleys loaded to the brim with food of questionable quality at best.

And before all this, you had to go through check-in, immigration, luggage-weights, and security checks for you and your luggage, and now, you’ve got a flight in front of you that’ll eat up all of the first day of your holiday and you’re starting to wonder why the hell you ever decided to go to Barcelona. You could’ve stayed home and gone to the beach instead! But what was the travel experience like before all this rigmarole got started? Let’s find out.

Back in the early 20th century, when life on a whole moved at a slower pace, a steamship journey took several days at least. Because of this, the journey itself had to be comfortable, memorable and relaxing – and steamship companies and railroad companies constantly strove to improve their service and amenities in order to lure in as many customers as possible by advertising speed, comfort, luxury, great food, electric lighting, running hot water…anything that would put their service above that of a rival company.

Before you even reached your destination, what was the ‘travel’ part of the ‘Golden Age of Travel’ really like? Let’s go on three imaginary journeys during the 1930s and see what kind of travel experience you could expect. To sample the best of everything, we’ll do the transatlantic crossing, the Orient Express, and to top it all off, a ride in the most famous airship of all. 

Trip No. 1 – The Transatlantic Crossing

Route: London, England to Chicago, Illinois, U.S.A.

Expected Travel-Time: 7 Days (dependent on weather)

The Transatlantic Crossing – Part I – The Boat Train

A typical trans-oceanic journey of the late 1800s or early 1900s started at a railway station. Let’s say you’re sailing on one of the great Cunard steamships from England to America! What happened?

To get from London to Southampton, you boarded the boat train at Waterloo Station. The boat train was a special express train that ran regular services from major metropolitan stations to port cities around England such as Dover, Southampton and Liverpool. They worked in a similar fashion to airport shuttle-bus services today which scoot you back and forth from major cities to your nearest airport. These trains were in service specifically to make fast, punctual connections between major population centers, and the great ports of embarkation. However, even express, a journey by boat train took a few hours. You might nap, read or eat lunch on the train, depending on the time of its departure. The train of choice from London-Waterloo to Southampton was the Cunarder or Statesman boat train which would whisk you across the south of England to the great ocean terminal at Southampton. 

At Southampton Docks, you got off the boat train with your mountain of luggage and boarded your ocean liner for your ‘crossing’ or ‘passage’ to the New World – the United States. The next leg of your journey would now begin…

The Transatlantic Crossing – Part II – The Crossing

Having arrived at Southampton, you now had to find your ship! Every major shipping company had docks assigned to them, much like how today, every major airline has a terminal and gates at an airport assigned to them. In the 1920s a wide variety of ships were available. If you wanted old world charm, you might sail on the R.M.S. Olympic, sister ship to the Titanic. If you wanted something grander and more modern, perhaps take the Berengaria, notorious for hosting American ‘booze-cruises’, where dried up Americans purchased return tickets and sailed to England and returned to America in a fortnight round-trip where they could drink to their kidneys’ discontent. Not being an American ship, the Berengaria was not subject to American prohibition laws!

Or maybe your ship is the Aquitania, a vessel which, until 2004, held the distinction of being the longest serving ocean liner plying the transatlantic route – thirty-six years! This record was broken in 2004 by the Queen Elizabeth 2, whose service reached 40 years doing the same route! The Aquitania became known as the ‘Ship Beautiful’ and was a common choice for passengers crossing the Atlantic.

RMS Aquitania. Source: Wikimedia Commons

In the old days, much care was taken in selecting which ship you would take to cross the Atlantic. There were loads to choose from, and each ship and company came with different things to recommend them to the discerning traveling public. The two biggest rivals were Cunard and White Star. They competed fiercely for passengers by boasting of larger ships, faster crossings, more luxuries, better food, improvements in safety and an ever-expanding range of on board diversions ranging from swimming-pools, spas and even cinemas.

After boarding the ship and being shown your cabin, you were allowed to settle in. The ship was dragged out to sea by tugboats and then would set sail for New York, a crossing that could take anywhere from five, to seven, to ten days, depending on the ship, the route, and the weather that it encountered on the way. That said, ships were typically expected to be able to make a crossing a week on the transatlantic route, so that passengers would never have to wait more than seven days to get another ship.

Once on board, you now had to find things to do. Southampton to New York takes the better part of a week, or more, depending on your chosen vessel. Are you a gambler or a betting person? Perhaps you should get in on the ship’s pool? No, not the swimming pool on E-deck, the ‘ship’s pool’ was the pool of cash which passengers contributed money to. You all had to bet how far the ship would go in 24 hours. At a prearranged time each day, an officer or steward would stick up a notice on the public noticeboard detailing how far the ship had gone during the night. The passenger whose guess was closest to the actual distance traveled won the pool!

This map of the Atlantic is found in the Grand Saloon of the R.M.S. Queen Mary, one of the most famous ocean liners of the Golden Age of Travel. The two lines track the ship’s routes from Southampton to New York. Small crystal models of the Queen Mary moved along these lines each day, indicating the ship’s progress during the voyage.

Of course, ships did come with actual swimming-pools, and gymnasiums, daycare centers, libraries, barbershops, cafes, restaurants and dining-saloons. During the 1930s, ships also started having cinemas on board, showing the latest films. If you wanted to take in the sea air up on deck, you might take part in a game of deck shuffleboard in which you had to slide painted wooden pucks along the deck using a long wooden paddle. The pucks would slide along the deck and across a painted and numbered grid. The skill in playing deck shuffleboard was in knowing how much force to put into your push to get your puck to slide across the grid and get the highest score – not always as easy as you might think, if the ship was rocking and lurching in the waves.

There was no internet access back during the Golden Age of Travel, no WIFI. But that didn’t stop you from contacting friends and relatives thousands of miles away. Perhaps your ship’s been delayed by storms and you’ll be in New York a day or two late? No problem. Off you went to the purser’s office. Here, you were given a telegraphic form where you could send off a brief message to your friends via the ship’s radio.

Telegrams were charged by the word. For example, it might be a shilling for the first ten words, and then a penny for every word thereafter. Unsurprisingly, telegrams were sent as infrequently as possible and when they were, were kept as short as possible. After filling out the telegraphic form with your message and having paid the fee, the form was torn off the pad and sent up to the radio-room by messenger or by pneumatic tube. The form was rolled up, stuffed in a cylinder and rammed into a pneumatic tube. The air-pressure in the tube or pipe pushed the cylinder up to the radio-room where it was spat out and landed in a basket. The radio-operators would open the tube, take out the message, and transmit its contents to the nearest land-station.

For all its glamour, ocean-travel did not come without risks. Ships were in constant danger of crashing into each other, of running aground, and of course, of sinking. In 1942, the RMS Queen Mary was sailing as a troopship off the coast of Scotland when a rogue wave of an estimated height at least 90ft (approx. 28m) hit the ship broadside. The entire vessel rocked over 52-degrees, and the wheelhouse windows were blown in from the force of the impact. In 1934, the SS Morro Castle, steaming the New York-Cuba route down the Atlantic coast of the U.S.A. caught fire. One of the worst fires at sea, the ship beached itself near the coastline. Passengers who could not escape on a lifeboat (what few which were not burned or made inaccessible in the inferno) jumped overboard and swam to shore, or floated in the water waiting for rescue from passing boats.

The RMS Queen Mary in New York Harbor, 1961.

In 1925, the Cunard Line offices in New York received word that a terrorist bomb had been loaded on board the RMS Berengaria. At the time, the ship was over a thousand miles out at sea. A radio distress-signal was sent to the ship from shore-stations and the vessel was searched. Passengers were herded to their lifeboat stations under the pretext of a fire-drill. The bomb was never found and the threat later turned out to be a hoax.

When shipboard life was calm, however, it could be idyllic. If the weather was fine you might take a stroll around the deck. You might visit the ship’s library, listen to the ship’s band or orchestra, or relax up on deck in a folding, wooden ‘deckchair’. Deckchairs could be rented, or they could be reserved. If you spotted a deckchair in a particular spot that you wanted to use, a steward might tack a card onto it, saying that it was reserved for a particular passenger, that way, you wouldn’t lose your special place in the sun!

The relaxed, carefree nature of ocean liner travel, as well as the friendships and connections that might’ve been made during long voyages around the world was captured in a popular song of the period, simply titled: “On a Steamer Coming Over”, about a blossoming shipboard romance between two passengers previously unknown to each other. Other popular songs of the 1920s and 30s which glamourized the allure and romance of international travel included “A Slow Boat to China”, “On a Sunny Street in Singapore”, and “Nagasaki”. In the 1920s, with America officially under prohibition, the song “I’ll See You In C-U-B-A” (1920) recommended that frustrated Americans should “…plan a wonderful trip, to Havana, hop on a ship, and I’ll see you, in C-U-B-A…”

When a ship docked in New York, customs and health officers and pilots were ferried aboard to begin the docking procedures. After going through customs and ensuring that nobody on board was seriously ill, the ship was permitted to dock and passengers were allowed off.

The Transatlantic Crossing – Part III – The Sleeper Car

Perhaps after landing at New York, you haven’t finished your journey? Then what? Well, another train-trip, of course. From New York, let’s say you travel to Chicago, the Second City, and Mobster Central! To do this, you would head to Grand Central Station in Manhattan, and from there, board one of the most famous trains in the world: The 20th Century Limited.

The 20th Century Limited ran nightly expresses from New York to Chicago, leaving Grand Central at 6:00pm every night, and arriving at Chicago’s LaSalle Street Station at 9:00am the next morning. The 20th Century Limited was so famous, it was featured in a number of films. The train featured in ‘The Sting’ (1972) was the Century Limited. The train featured in ‘North by Northwest’ (1959) again, was the 20th Century Limited.

The Twentieth Century Limited, ca. 1907. Source: Wikimedia Common

To ride the Century Limited was one of the greatest experiences in Golden Era tourism. Catering to first-class passengers and wealthy businessmen, passengers riding the Century Limited were given the Red Carpet Treatment – literally. A broad, red carpet with “Twentieth Century Limited” printed on it in gold letters was run along the platform, parallel to the train, so that passengers could spot it easily and board it without confusion. It was from here that the expression to be given the ‘red carpet treatment’ originated.

Once on board the famous train, you had dinner in one of the train’s dining-cars, eating food prepared on board. The train left New York City at 6:00pm and travelled nonstop through the night. The train didn’t stop to pick up coal or water. Instead, it relied on track-pans – large steel troughs between the railroad lines which collected rainwater, (or if rainwater was not available, were recharged using pipes connected to a reliable water-source) to refill the boiler with water during the trip – a steam-powered vehicle requires more water than fuel when it’s in operation. Upon approaching a track-pan, a crank-and-screw mechanism was operated and a scoop was lowered from the bottom of the locomotive. The force of the train rushing over the pan forced water up the scoop and into storage tanks in the tender. Pipes then channeled the water into the boiler at the front of the train.

On an overnight train journey, dinner would typically be served on board. This wasn’t just some cheap snack-bar with packets of chips, hotdogs and chocolate-bars as we might expect today. Oh no, on the Century Limited, you were treated to a full, silver-service dinner, where passengers could choose from a menu of dishes cooked on board and served in the dining-car which was accessible from other parts of the train. After dinner, you might go to the lounge car or the bar for a drink, a smoke, a game of cards or a chat with friends. If you considered yourself too sleepy, you would retire to your assigned berth or compartment in your assigned cabin. Here, you could stretch out on a bed and relax.

Travel on trains like this wasn’t entirely primitive. You had running water if you had to wash up. And flushing toilets if you had to answer a call of nature (just so long as that call wasn’t while the train was in the station – toilets emptied their contents right between the rails in those days), but in the cramped quarters of railroad carriages, don’t expect to have a bath or a shower – that would have to be reserved for the end of your trip.

Once you arrived at your destination (in this case, Chicago), you alighted the train with your luggage. Depending on how much luggage you had, you might have stored it all in your compartment. If this wasn’t possible, then it was stored in the luggage-van at the back of the train. To offload all your trunks and suitcases and move them around the station, you might need a luggage-trolley. Not one of those tiny things that you see in airports today, a real trolley, capable of carrying up to half a dozen or more bulky, well-packed trunks, cases, boxes and suitcases.

In all, this is a journey that would’ve taken you roughly a week, depending on weather conditions and delays. And this was considered fast! To make connections faster and smoother, things like boat trains, steamship tenders, express services and nonstop water-filling on long train-journeys all aimed to cut out as many of the delays as possible, and give passengers a smooth, fast and comfortable journey as possible.

Trip No. 2 – The Orient Express!

About the Orient Express

Ask any group of people to name the most famous ship in the world, and the argument could go on until the end of time. The Titanic, the Olympic, the Berengaria, the Queen Mary, the Normandie…like a box of Whitman’s Samplers, it would be impossible to try and name them all!

Now, turn the question around. Ask any group of people to name the most famous train in the world. Almost at once, only one answer will come to the minds of most people: The Orient Express.

The Orient Express is a legend, a myth, and a time-machine. It has been running almost nonstop for over 100 years. It’s lasted through two world wars and the Iron Curtain. It’s been marooned in snowstorms, blown up by terrorist bombs, broken up, remade, threatened with closure and bankruptcy, and yet, somehow, it survives, and has outlasted almost all other famous trains in history. But what is it? A very valid question indeed, because the Orient Express is probably THE most confusing journey you will ever take in your life. Why? Simple.

Because there isn’t one Orient Express.

There are FIVE.

The first is the Orient Express, which ran from 1883-2009.

The next is the Simplon Orient Express, which ran from 1919-1977.

The third one is the Arlberg Orient Express, which ran from 1930-1962.

The fourth one is the EuroNight Orient-Express, which ran from 1977-2009.

The fifth one is the Venice-Simplon Orient Express, established in 1982 and which runs to this day as a period recreation of the original Express which ran the transcontinental route started back in 1883.

Confused, much?

On top of that, all these different Orient Expresses didn’t all run the same route. And they didn’t all run the whole route. And they didn’t always run all routes all the time. Routes depended on factors such as passenger-loads, public requirements and of course, the weather. But where and when did the Orient Express start?

Established in 1883, the Orient Express ran through Europe on various routes at various times. The most common short route was Paris, France, to Venice, Italy. The most common long route was the legendary long-haul train journey to beat all train journeys – London, England to Istanbul, Turkey. This is the route that is the most famous of all. It’s the route that everyone has heard about, read about, seen on TV and watched in movies. It’s the route where Hercule Poirot, travelling from Istanbul to London, has to solve the most baffling, famous and morally confusing case of his entire career, that of the ‘Murder on the Orient Express’

Some might think that the Orient Express was supposed to go all the way to Asia, the ‘Orient’. It doesn’t, and never did. The name ‘Orient Express’ comes from the Latin ‘Oriens’ or ‘East’, so literally, ‘The Eastern Express’.

The original Orient Express ran from 1883-2009, with stops and starts and changes along the way. The Express was originally operated by the Compagnie Internationale des Wagons Lits, or ‘International Sleeping-Car Company’ in English. The running of the Orient Express was interrupted at numerous times throughout history, most notably in 1914, 1939, and in the 1960s and 70s during the Cold War.

But what was it like to ride the Orient Express back in the Golden Age of Travel? As it would be too confusing to pick through the minutiae and differences of all the different Orient Express trains, the trip presented here will be one which takes the best of all the Expresses, to give us a general feel of the whole journey. Now for the starting point: London, England.

The Orient Express – Part I – The Boat Train & Boarding the Orient Express

Route: London, England to Istanbul, Turkey

Expected Travel-Time: 3-4 days (dependent on weather)

Just like with any other international trip from Great Britain, your first stop was the boat train. This time, you caught the Continental Express boat train from London’s Victoria Station, to the docks on the south coast. From here, you caught the cross-channel ferry to France. Having arrived in Calais, you would board the Orient Express and ride it from there to its main embarkation point, which was Paris’s Gare de l’Est station, which was where it picked up all passengers not travelling on the Express from Britain.

The Orient Express near Constantinople, 1900

One thing you have to understand is that the Express was not a huge, long train of a dozen grand carriages, hauled proudly along by a gigantic, steam-powered, smoke-belching locomotive chugging ahead through the European countryside. At most it was only a half-dozen carriages at any one time. A typical layout of the Orient Express included the locomotive, its tender, a luggage-van, a couple of sleeper-cars, a dining-car, a galley-car, and another luggage-van. The train made frequent stops along its route, changing and shunting carriages and coaches all the time. Carriages were added and subtracted as the route required it, so that the train wouldn’t be overburdened. But we digress; back to the Gare de l’Est.

It was here (and always from here) that the Orient Express departed when it left from Paris. It left this station for the first time on the 4th of October, 1883, for its marathon run across Europe. The original eastern terminus was not Istanbul, but the port city of Varna in Bulgaria. Here, passengers had to get off the train and take a boat to Istanbul, then called Constantinople. It was on the 1st of June, 1889 that the first, uninterrupted rail journey from Paris to Constantinople was accomplished. Today, the modern Venice-Simplon Orient Express still leaves from the Gare de l’Est on its two different routes, to Venice and to Istanbul. 

Paris Gare de l’Est, Paris, France, 2009. The main western terminus of the Orient Express.

The Express was not a daily service. It departed from London and Paris three days a week, (Wednesdays, Thursdays and Sundays) for either Bucharest, or Constantinople/Istanbul, depending on the day of the week. Travel-time took three-to-four days, depending on the weather and delays. If the weather was really bad, the train might not make it through at all. In 1929, the Express was trapped in a mammoth snowdrift that took rescuers ten days to dig out. This legendary event hit the newspapers and inspired Agatha Christie’s famous murder-mystery. It’s even referenced in the David Suchet TV production of the novel.

The Orient Express became wildly popular. Travel across Europe had previously taken weeks. Now, you could go from one end to the other in just less than a week! The Express became so popular that other trains with similar names started running similar routes across Europe, to pick up the excess passengers which the original Express couldn’t handle.

Sirkeci Terminal, Istanbul, Turkey. The eastern terminus of the Orient Express.

Whether you got onto the train at Calais, or Paris, what happened next?

Well, first you entered the station and presented your ticket. Your less important luggage was stored in the luggage-vans, and your more important cases were brought on board the train. You were assigned a carriage, and a compartment within that carriage – always a sleeper-car. Your steward (there was one steward for each sleeper-car, whose job it was to look after the passengers under his care) would show you to your compartment, put your luggage safely away, and then he would ask for your passport.

As the Orient Express was a transcontinental train, it passed through several borders and countries (thirteen countries in total!) At every stop along the way, border-officers would board the train to check the passports of each passenger. So that passengers wouldn’t be disturbed at every single border crossing, their steward would handle their passports, and present them to border-guards at each stop, where they would be checked and stamped with a minimum of fuss and disturbance.

A typical compartment on an Orient Express sleeper was very small. Designed to hold two people and their most essential luggage, it came with a double-bunk bed (which could be turned into a couch in the daytime by your trusty carriage-steward), electric lights, a call-button, a hook on the wall for your watch, to stop it sliding around, space for your luggage and clothes, and a closing wash-basin. All packed into a space 5ft wide by 8ft deep by about 8ft high! Pretty snug!

The Orient Express – Part II – Riding the Orient Express

Within the confines of about three or four passenger-carriages, the Orient Express had a surprisingly large number of features. You had electric lights, heaters, a call-button system, hot running water and cold running water provided by cisterns on board, and one flushing toilet per-carriage. But no shower, and certainly no bath! The Express was luxurious, but not that luxurious!

A carriage of the Orient Express in CIWL livery.

During your trip, your constant guide and assistant was your carriage-steward. He handled passports, answered questions, provided assistance, helped with your luggage and answered the light above your door if you called for assistance. But for all his efforts, your poor steward didn’t get too much in return!

For all the services that the carriage-stewards provided, they had almost no personal space of their own. At best, they slept in small, cramped quarters at the end of the carriage, or if not even that, then on padded benches or chairs out in the corridor at the end of each carriage. From here, they could monitor the service-lights above each compartment door, and help passengers if they exited their compartments.

A poster advertising the Orient Express

The Orient Express did not run one route. It ran several routes of varying lengths, with terminations in Athens, Paris, Calais, Venice and Istanbul. Common stops along the longest Express routes included Venice, Krakow, Budapest, Vienna, Belgrade, Munich and Bucharest, until the train finally arrived in Istanbul. The train was a popular mode of transport for the rich and famous. Authors, actors, musicians, dancers, and artists all travelled on the Orient Express. So too did diplomats, since the Express ran through many major European cities. It was also popular with British colonial officials hoping to reach India as fast and as comfortable as possible.

The three-and-half-day journey of the Orient Express meant that comfort and luxury had to be part of the package. Passengers weren’t going to pay to go on just any train if it didn’t come with some sort of draw-card. On the Orient Express, you were served meals cooked fresh and hot in the kitchen-car, which were served in the dining-car. The train was restocked at each stop along the way, so that the kitchen could be cleaned out and empty containers thrown away. Whenever the train stopped at a station, you could get out and send telegrams or letters from the station’s telegraph office or nearby post office, and have opportunities to take photographs and stretch your legs.

At the end of three-and-a-half grueling days, you would arrive at your destination. The eastern terminus for the Orient Express was the Sirkeci Terminus in Istanbul (or ‘Constantinople’ during the early years of the Express). From here, you could travel to countries like Egypt, Persia (Iran), India, Palestine (Israel), or sail further on towards Asia, reaching countries like Ceylon (Sri Lanka), Siam (Thailand), Burma (Myanmar) or the colonial holdings of the Straits Settlements (Malaysia & Singapore), the Dutch East Indies (Indonesia) or French Indochina (modern-day Vietnam).

Come Take a Trip in my Air-Ship!

One of the most powerful and enduring symbols of the Golden Age of Travel was the new kid on the block: Airships!

Controlled, powered air-transport had been a reality ever since 1852, when French inventor Henri Giffard took to the skies in the world’s first powered airship. This crude technology was a full fifty-one years before the Wright Brothers made their legendary flight at Kittyhawk in 1903. The Wright Brothers were not the first people to fly. They were not the first people to attain controlled flight. They were the first to do so successfully in an airplane. Airships predated them by half a century!

It was because of this that in the early 20th century, most people put great expectations upon the airship to be the air-transport king of the future! Flimsy airplanes with tiny engines, wooden frames stretched over with cloth and strung together with wires couldn’t possibly transport great numbers of people in speed, comfort and safety! But an airship, floating gracefully through the air, powered along by its propellers, looked big, sturdy and capable, although this was mostly due to publicity rather than fact. Early airships were slow, inefficient and lacked sufficient lift to make them effective modes of transport. In the 1880s and 1890s, experiments were made using batteries (which were too heavy and inefficient), and first-generation internal-combustion engines, which were too slow. It would not be until the turn of the century that the first real strides in airship technology allowed for practical transport.

Throughout the Edwardian era, airship technology, a pet project of Germans such as Count Ferdinand Von Zeppelin, and Hugo Eckener, continued to advance. Nonrigid airships (‘Blimps’, we’d call them today) were phased out in favour of dirigibles, or rigid-frame airships, where gas-bags were inflated inside a rigid frame with fabric stretched over it. Airships remained largely experimental until the end of the decade, when the first flights of significant distance were achieved, first across Germany, and then across the European continent. In October, 1910, the first ever airship, the Clement Bayard II, managed to fly from Europe to Britain and made aerial-transport history. The airship captured the imagination of the travelling public like no other form of transport before it. In 1904 the song: “Come take a Trip in my Air-Ship” was published, many years before the airship became a popular form of long distance transport. Despite this, the song’s lyrics spoke of fantastical trips far beyond the vehicle’s capabilities at the time.

The first successful passenger-carrying airships started taking to the air around this time. This growth in confidence and advancement in technology led to the establishment of airship companies towards the end of the decade. In 1908, the Zeppelin Company was established in Germany, headed by Count Ferdinand von Zeppelin. In 1909, DEFLAG, or the German Airship Transport Company, was established. DEFLAG stood for Deutsche Luftschiffahrts-Aktein-Gesellschaft, the company’s name in German.

Between the 1900s until the start of the First World War in August of 1914, the Germans had established the world’s first commercial passenger airship companies and a network of routes and airship fields around Germany. German expertise with airships was growing, and growing enough for them to start using airships in bombing raids.

In 1915 during the First World War, airships were used in the first long-range bombing missions ever carried out in wartime over a civilian population. London, although almost out of the effective range of airship technology at the time, was still a big target. The British were largely unprepared for this new form of warfare and had to hastily adopt strategies for attacking and destroying German military airships, as well as warning the public of air-raids (this led to the post-war creation of Air Raid Precautions in 1924). Airships, for all their size, had a notorious Achilles Heel – the fact that they were inflated with highly explosive and flammable hydrogen gas. British fighter-pilots took advantage of this by firing incendiary bullets at the airships as they flew past them in their primitive combat biplanes.

Despite the death and destruction wrought by the German ‘Baby-Killers’ as they were called by the British propagandists during the First World War, airships became wildly popular in the post-war era. By now, Friedrichshafen in Germany was the name that everyone associated with airships. It was where they were built, launched from, and where passengers travelled in order to board. With airplanes still being little more than open air, unpressurised biplanes – unreliable at best and lethal at the worst of times, airships stood to take on the rising market in international air-travel.

The golden age of the airship was truly the Roaring Twenties and the 1930s. Although other countries such as America and Britain had attempted to establish airship programs, either for passenger transport or for military purposes, only the Germans really succeeded in either of these endeavours. The British airship program ended in disaster with the crash of their most famous airship, the R101, in 1930. Similar disasters marred the American airship program in the years to follow. The result was that by the mid-1930s, only the Germans were still operating regular passenger airship routes. Their most famous was airship LZ-129, better known as the Hindenburg.

Trip No. 3 – LZ-129 Hindenburg!

Route: Frankfurt, Germany, to Lakehurst, New Jersey, U.S.A.

Expected Travel-Time: 2½ days (3 days if you were flying Germany to South America)

The Hindenburg – Part I – Boarding the Hindenburg

If the rigid airship or dirigible was the symbol of cutting-edge transport technology in the 1920s and 30s, then the Hindenburg was rightly considered the flagship of this new glamorous and new-age technology – the most famous airship of its age, and of any age. The Hindenburg was to be the pride and joy of the Zeppelin Company, and its design and appointments were expected to rival even the most luxurious of the transatlantic ocean liners chugging across the ocean over which it glided, free of the dangers of Atlantic storms, icebergs, and wrecks with other vessels. It symbolized a bold, new post-war age of scientific advancement and technological skill. But what was it like to ride on? To find out, let’s take a typical flight on the Hindenburg. This would’ve been from Frankfurt in Germany, to Lakehurst, New Jersey, in the United States, a trip that typically took two-and-a-half days.

The Hindenburg’s departures were remarkable events. Docked on the ground, and tethered off, passengers would have their tickets clipped and their luggage loaded on board. As an obvious safety-precaution, passengers’ cigarette-lighters and matches were confiscated upon boarding. You were not allowed to use them, you were not allowed access to them, and you would only get them back at the end of the trip. Smoking in unauthorized parts of the airship was forbidden. Any fire could rapidly get out of hand, and if it did, the risk of explosion was high.

That’s not to say the Hindenburg didn’t have water on board – Water was stored in ballast-tanks and cisterns on board. These tanks controlled the ship’s weight and speed of descent and ascent. At the appropriate time, water was jettisoned from the ballast-tanks, and the tethers and ropes holding the airship down would be released. The Hindenburg floated into the air so quietly and noiselessly that many passengers on board never noticed the takeoff. On many occasions, passengers would ask the stewards why the airship had not yet left the ground! In reply, stewards would simply tell the passengers to look out the window, and they would see that they were already well on their way!

Despite the airship’s size, only a small percentage of its space was given over to passenger and crew accommodations. The majority of the airship’s space was taken up by the metal framework, maintenance shafts and corridors, and the huge gas-bags, which gave the airship its lift. Passenger and crew-quarters were limited to the small cabins or ‘cars’ underneath the airship. The airship had an auxiliary control-car at the rear, a main control-car at the front, and the large combined (but segregated) passenger-and-crew accommodations between them. The ship was powered by four ‘engine-cars’, two slung out on each side, with large propellers to power the ship through the air. They were kept well away from the passenger and crew-quarters, to cut down on noise interference.

Fully loaded, the Hindenburg could house seventy-two passengers in comfort. They were broken up into pairs, and each pair shared a cabin with a double-bunk bed and wash-basin with running hot and cold water. Cabins were housed on A-deck, along with the airship’s promenade area, dining-room, and lounge, complete with grand piano for passenger entertainment. Below, on B-deck, were the mess-rooms for officers and crew, the airship’s kitchen, bathrooms and toilets, the airship’s bar, and beyond the bar, the smoking-room.

The Hindenburg allowed only one functioning cigarette lighter on board, to cut down the danger of fire and the subsequent risk of igniting the hydrogen gas in the gas-bags above. This single cigarette-lighter was an electric one which was fixed to the central table in the smoking-room. To make the room as safe as possible, there was even a double-airlock door between the smoking-room and the rest of the airship.

To look after you once the ship got underway, the Hindenburg had forty crew and officers, and a dozen stewards and cooks to see to passenger comfort and cook the food for all the passengers, officers and crew. Officers, the captain and passengers all ate in the same dining-room.

Food on the Hindenburg was prepared fresh every day. The airship featured an electric stove, roasting and baking ovens, an ice-maker, and a refrigerator. A typical crossing would see the ship’s chef cook his way through 440lbs of meat and poultry, 800 eggs and up to 220lbs of butter!

The Hindenburg – Part II – Travelling on the Hindenburg

The Hindenburg represented the pinnacle of early 20th-century air-travel. It was dignified, smooth, quiet, classy, modern, and comfortable. Airplanes by comparison were considered cramped, noisy and uncomfortable. Given a choice, most people would probably have flown anywhere in an airship, and the world expected these graceful, mechanically-powered balloons to transport people everywhere in style and comfort. The spire at the top of the Empire State Building in Manhattan was originally designed as an airship-dock, although this was later deemed to be so unsafe that the idea was scrapped.

A voyage on the Hindenburg took from 2-3 days, depending on the destination: either Rio in South America, or New Jersey in the United States. Passengers on board could kill time in the smoking-room, the reading-and-writing room, or the lounge. Passengers wanting a drink could go to B-deck, and visit the bar, located next to the smoking-room.

If you wanted to enjoy some music during the voyage, the Hindenburg’s grand piano was available for any and all musically-gifted passengers. This piano might be considered unique in the history of piano-manufacturing. Due to the strict weight-limits that governed the Hindenburg’s maneuverability and lift, the majority of this piano (a baby grand) was manufactured out of aluminum, to make it as light as possible! Even the legs were made of hollow aluminum tubing, to cut down on weight. The instrument’s weight was just 162kg, remarkably light for a piano!

Passengers on the Hindenburg could get amazing birdseye views of the seas and landscapes below by looking through the downward-angled windows on either side of the main cabin.

On opposite sides of the main cabin, both the dining-room and the lounge offered amazing views of the earth below, through down-facing windows. Passengers could lean on balustrades and handrails on the outer sides of these two rooms, and look down through the glass at the world passing by beneath them. If you had a camera on hand (and some passengers did bring them), amazing views of the world from above could be taken from these vantage points.

The Hindenburg – Part III – Landing the Hindenburg

Landing a modern jumbo jet is a fairly straightforward affair. After receiving clearance from air-traffic control, a plane lines up with a runway, slows speed, drops its landing gear, extends flaps and thrust-reversers and touches down, sometimes as smoothly as a landing feather.

Landing a huge airship like the Hindenburg was a significantly more challenging procedure. Here is how it happened:

Once the Hindenburg had been cleared for landing by radio, it would make for the mooring-area – on trips to the United States, this was the Naval Air Base at Lakehurst, New Jersey. The crew on board the Hindenburg would drop mooring-lines out of the airship’s body and ground-crews would grab them and physically pull the ship towards the mooring-mast. A main, central mooring-cable was dropped from the ship’s nose, and this was affixed to the mooring-mast. The cable was then winched in, drawing the ship towards the ground. The extra mooring-lines held by ground-crews would stop the airship from blowing off-target as it was being winched to the ground.

As the airship descended, water from its ballast-tanks would be released. This was to lessen the ship’s weight, and to reduce the chances of the airship crashing to the ground if it landed too heavily. Once near to the ground, mooring-lines would be made fast, and then the stairs and hatches under the airship could be opened so that passengers and crew could get out.

Landing the Hindenburg at Lakehurst in 1936

Bags were unloaded and sorted. Every passenger on the Hindenburg had his bags marked with a company stamp. On the stamp was a letter corresponding to the first letter of his surname. Bags were unloaded and sorted alphabetically, so that passengers could find them more easily. After a two-and-a-half day journey floating across the Atlantic, your trip on one of the great marvels of the Golden Age of Travel was over.

The End of the Golden Age of Travel

The Second World War signaled the beginning of the end of the Golden Age of Travel. The powerful changes caused all over the world by this conflict meant that it was impossible to revive the glory days of travel that had existed before the war. Too much had happened and too much had changed or been lost forever, to make this possible. And it would be decades before anything even resembling a tribute to the Golden Age of Travel would be possible once more. Technological changes, as well as political and geographical ones would further speed the end of the Golden Age, as old forms of transport were replaced with new ones, and a whole new way of travelling swept across the world in the 1950s.

Countries once open to travel, like China, were now closed. Ravaged by war and internal political strife, the decadence and grandeur of pre-war Shanghai was lost forever after the Japanese invaded the International Settlement on the 7th of December, 1941 – the Day of Infamy. Foreigners fled the city by the shipload, and one of the most popular tourist spots in the world was abandoned almost overnight. It would be another forty years before Shanghai would open up to the West again, when the Americans re-established their consulate in Shanghai in 1980.

The Dutch, French and British Empires were rocked by powerful independence movements, especially in French Indochina (Vietnam), the Dutch East Indies (Indonesia), India and Malaya. This made travel to the Far East unwise at best and dangerous at the worst of times. European countries like Germany, Austria, Italy, Denmark, the Netherlands and Greece were heavily bomb-damaged. Malaya and Singapore were still recovering from the Japanese occupation.

The original Hotel Adlon, opened in 1907. Berlin, 1926, near the Brandenburg Gate.

Hotels from the Golden Age which once boasted famous journalists, actors, artists, politicians and diplomats as their guests, had been burned down, shelled or destroyed entirely during the War. The Hotel Adlon in Berlin, a popular haunt of foreign journalists and international celebrities in pre-war Germany, was badly damaged during the Russian occupation of the city. The Adlon has since been rebuilt in a style closely resembling the original hotel, and on the original site that it has occupied since it was opened in 1907. It was from the balcony of his room at the rebuilt Hotel Adlon, that Michael Jackson famously dangled his son, in 2002. However, the Hotel Adlon is a rare example of the Golden Age reborn. Most Berlin hotels destroyed by enemy air-raids or cannon-fire were not rebuilt after the War.

Destroyed by Russian artillery-shells and fire in the Second World War, the rebuilt Hotel Adlon opened in Berlin in 1997, 90 years after, and on the same site as the original. Source: Wikimedia Commons

In Singapore, the world-famous Raffles Hotel was taken over by the Japanese when they overran the island. With the Japanese surrender in 1945, officers committed suicide in its rooms. In 1942, at the start of the occupation, Raffles’ waiters had dug a huge pit in the gardens and threw in the hotel’s silverware and buried it, hiding it from the enemy. When the war ended, the hole was dug up, and the silverware was retrieved, cleaned and put back into service. One of the items dug up was Raffles’ solid silver antique carving-trolley, used to present and serve the Sunday roast. After being carefully restored, it’s still used in the hotel today!

The rise of communism and the Eastern Bloc in Europe meant that as soon as the Second World War was over, it was replaced by the Cold War. And countries and cities which might once have been popular tourist destinations, like Poland, and the Free City of Danzig, were increasingly difficult to visit because of the ‘Iron Curtain’, a word coined by Winston Churchill. The rise of the Iron Curtain also put an end to the traditional Orient Express. It continued to run, but it would be the 1990s before it could reopen its classic London-to-Istanbul route once again.

Airplanes now replaced ocean liners as the main means of intercontinental travel. The disastrous crash of the airship Hindenburg in 1937 and the subsequent Second World War forever squashed any ideas of airships being the primary mode of air transport around the world. Airplanes were faster than airships and ocean liners, and much cheaper. Before long, many shipping companies were sending their ships to sea with half or even one-third capacities. It wouldn’t be until the Queen Mary 2, that grand, ocean liners would cross the seas of the world in grandeur and style once more.

By the 1960s, grand ocean liner travel was something of the past. Ships like the Aquitania and the Queen Mary were either too old to run, or too expensive to rebuild or maintain. Competition from airports and airlines meant falling passenger numbers. And shipping lines could no longer get enough revenue from fare-paying passengers to keep their expensive seagoing ships in good repair. Famously, the Aquitania suffered structural failures late in her career. Corrosion, leaking decks and ceilings and rotting timberwork and unsafe floors resulted in a spectacular incident involving a piano falling through the deck into the dining-room below!

Airports replaced seaports. Luggage restrictions, security scares, hijackings and terrorist plots shaped the travel experience that we have today, and the era of relaxed, glamorous travel which we’ve seen in movies, novels and TV shows vanished forever.

Sources used in the writing of this posting included:

ARCHBOLD , Rick“HINDENBURG – Reliving the Era of the Great Airships – AN ILLUSTRATED HISTORY” – Weidenfeld & Nicolson, Orion Publishing Group, London (1994) – Illustrations and artwork by Ken Marschall.

DANKER, Leslie“Memoirs of a Raffles Original”, Angsana Books, Singapore (2010)

DONG, Stella“Shanghai – The Rise and Fall of a Decadent City”, Perennial, New York, U.S.A. (2001)

KRASNO, Rena“Once Upon a Time in Shanghai: A Jewish Woman’s Journey through 20th Century China”, China Intercontinental Press, Beijing, China (2008)

MATTEOLI, Francisca “WORLD TOUR – Vintage Hotel Labels from the Collection of Gaston-Louis Vuitton” – Abrams, New York, U.S.A.

SERVER, Lee“The Golden Age of Ocean Liners”, Todtri, U.S.A., (1996)

“Great Journeys – Travel the World’s Most Spectacular Routes”, Lonely Planet, Victoria, Australia (Aug. 2013)

http://www.airships.net/ – One of the most comprehensive web-sources out there, on the history of airships and the Hindenburg – Accessed 25th, June, 2014

http://mikes.railhistory.railfan.net/r045.html – Mike’s Railway History – ‘The Orient Express’ – Accessed 20th of June, 2014

http://www.seat61.com/OrientExpress.htm#.U7QWjJSSxD1 – Seat61.com – ‘The Truth Behind the Legend – The Orient Express’ – Accessed 21st of June, 2014

http://www.smithsonianmag.com/history/a-brief-history-of-the-orient-express-149702768/?no-ist – Smithsonian.com – “A Brief History of the Orient Express” – Accessed 21st of June, 2014

This article was originally posted in the July, 2014 issue of the Australia Times – HISTORY online magazine, and is reposted here with permission.

Operation Bernhard: The Nazi Counterfeiting Ring

 

During the Second World War, Britain worked tirelessly to undermine the German war-effort through epic feats of deception and cunning. Everything from the “Magic Gang” with Jasper Maskelyne, to General George Patton and the imaginary First United States Army Group (“FUSAG”), and the infamous “Operation Mincemeat”, where a dead body was dressed as an officer, filled with “sensitive documentation”, and then dumped off the Spanish coastline by a British submarine.

The majority of British deception-plans against the Nazis during the Second World War are well-known, and are rightly famous – the story of Operation Mincemeat was even turned into a major motion picture – in colour! But what is less well-known by the general public is the almost-forgotten German counter-effort against Britain, to pull off one of the greatest feats of forgery ever witnessed in human history.

This is the true story of the German attempt to produce millions upon millions of FAKE British banknotes during the Second World War, and to bring about the collapse of the British economy through hyperinflation. A story known as ‘Operation Bernhard’.

The Beginnings of Bernhard

The origins of Operation Bernhard came to fruition on the 18th of September, 1939, just a few days after the start of the Second World War, and the German invasion of Poland. The original idea was formulated by Arthur Nebe and Reinhard Heydrich, two architects of the famous “final solution” that would eventually lead to the Jewish Holocaust. The original plan was to produce hundreds of millions in forged, British banknotes and to distribute them throughout the United Kingdom. This would cause economic collapse, and destroy the world’s confidence in the Pound Sterling as a globally-accepted currency, which it was in the early 1900s.

Looking for any way to cripple the British war-effort, Hitler gave the plan his official approval, although for obvious reasons, it had to be kept as secret as possible…something which didn’t last very long, because before too much time had passed, Sir Michael Palairet, British Ambassador to Greece, had already been tipped off about the potential Nazi counterfeiting scheme, and forwarded full details, such as they were known at the time, to the government in Whitehall, and to the Bank of England, to be on the lookout for potential forgery of British currency. The warnings were heeded, even though the Bank of England believed that existing anti-counterfeiting measures already in place should be more than sufficient to thwart any potential forgery efforts.

Planning the Deception – Operation Andreas

Operation Bernhard was comprised of several different elements, all of which had to be as perfect as possible for the plan to proceed. The first element of making the fake banknotes was, of course, to make the notepaper upon which the denominations of currency would be printed. This first stage of the plan was known as Operation Andreas, and involved finding the right combination of cloth rags and old paper and the right manufacturing processes to make the paper (or as close as possible) which British banknotes were printed on. Following steps were the engraving of the printing plates, the making of the ink, the forging of banknote serial numbers, etc.

The Germans were very confident in their ability to replicate British banknotes. The type of banknote (and the design printed upon it) used in the UK during WWII had been designed nearly 100 years before, in 1855. The banknotes were printed in black ink on large sheets of white paper – smaller sheets for five-pound notes, and larger sheets for 10, 20 and 50 pound notes.

To guard against forgery, every single plate used to print the notes had numerous little imperfections (up to 150 of them in total!) worked into the designs. These were usually imperceptible to the naked eye – but if they were perceived, then they would simply be passed off by the general public as minor printing-errors – the result of plate-wear, and of printing thousands of banknotes a day. Only bank officials would know what the marks and imperfections were, how many there were, their significance, and where these could be found on the various notes in circulations. As the imperfections were put down to wear-and-tear, the idea was that any forger making a banknote would try and make it even better than the original. A forged note with perfect printing would therefore stand out against a genuine note with small, but deliberate imperfections worked into the design.

Making the paper was surprisingly difficult, and the German forgers encountered several roadblocks along the way. The type of cloth and rags used, whether they’d been cleaned and bleached, how they were pulverised, how the paper was formed, and even the chemical composition of the water used to make the paper-mass, all had to be carefully examined and tested so that the notes looked perfect.

In the end, the decision was made to try and counterfeit five-pound notes. Being the most common notes in circulation, they were less likely to be scrutinised, and would more easily blend in with genuine British banknotes, becoming too widely dispersed too quickly for the Bank of England to pick up on the deceit until it was too late. As the war progressed, ten, twenty and even fifty-pound notes were also added to the list of fraudulent banknotes.

Early attempts at producing these forged five-pound notes proved highly problematic, and one of the biggest issues with trying to create accurate forgeries came from trying to reproduce the image of Britannia printed on every five-pound note. The engraving was so intricate that try as they might, a 100% accurate copy just wasn’t possible. It became so difficult that in 1942, the forgery plan was abandoned.

The Start of Operation Bernhard

While German forgers had given up trying to forge British banknotes, the German SS had not, and later in 1942, the plan was revived under the direction of Heinrich Himmler, and SS Major Bernhard Kruger – after whom the operation was named.

Major Bernhard Kruger

The original plan with the forged banknotes was to flood Britain with fake fivers so that confidence in the British Pound Sterling would collapse, or to cause hyperinflation. Spies and contacts had alerted the Bank of England about the possibility of this German plan as early as 1939, and first evidence of these forged notes started popping up in 1943. Fears that high-quality forged German notes could flood Britain, bringing down its economy started to rise.

Fortunately, this didn’t happen (or at least not on a large scale) because of a quirk of the Bank of England.

What none of the forgers or their controllers knew was that the Bank of England kept gigantic ledger books – some of them hundreds of years old – in which they laboriously recorded literally every single British banknote in circulation! See – every banknote issued by the Bank of England was a promissory note – a note which promised to pay the bearer five pounds – as in, five pounds sterling worth of gold or silver – upon presentation of the note.

To stop forgeries, every note had a serial number – this much, the Germans knew. What they did not know was that every single serial number, without exception – was recorded in a ledger before it was issued to the public. When a note was worn out or required replacement, it was returned to the bank. The serial number on the note was then crossed out of the ledger and the note was destroyed.

The problem was that several of the forged banknotes that the Germans produced had serial numbers on them which, when they were compared against the Bank of England ledgers – showed that they were fake! The genuine notes had already been turned in and canceled. So why were there suddenly notes showing up with identical, canceled numbers? They had to be fake! It sounds stupidly simple, but it really was that easy to find out which notes were forgeries. To catch the forgers out, the Bank of England had to do just one thing:

Stop making banknotes! Any other banknotes that were found in circulation would therefore obviously not be printed by the bank and could only be forgeries! So they did!

When they realised that their grand scheme for destroying the British economy had just gone out the window, Himmler and his S.S. confederates had to figure out some other use for their millions in forged fivers. This was when they got the idea that the banknotes could be used to fund the German war-effort. The pound sterling being a globally-accepted currency, it would be easy to pay for arms and materiel using the fake banknotes, and pass them off as genuine to unsuspecting arms-dealers or German allies, who, presumably, wouldn’t look too closely at the notes.

And this is exactly what happened.

To ensure that their plan was as foolproof as possible, Major Kruger started looking for more forgers, and eventually gathered up a group of Jewish prisoners from Auschwitz who had the necessary skills – engraving, artistry, calligraphy, and so-on, and set them up in their own barracks in Sachsenhausen concentration camp. In the end, 140 men were chosen.

Because the prisoners were essential to the German war-effort, they were treated much better than other prisoners. Guards were forbidden to harass them, and they were given regular food, proper shelter and care. Of course the prisoners knew that all this relied on them producing the most perfect forgeries ever. This would be the only thing that kept them in the good graces of the SS.

Between 1942-1945, the prisoners (with their bases of operations constantly moving to keep them from escaping, or from being bombed by the allies) produced millions upon millions of pounds of British banknotes, along with a healthy dose of American dollars. These funds were then laundered and exchanged to secure Swiss Francs, genuine British banknotes, or genuine American dollars, with none of the other parties ever being any the wiser. In total, the prisoners were believed to have forged up to three hundred MILLION pounds!

The End of the Operation

Operation Bernhard came to a juddering halt in 1945 with the gradual collapse of Nazi Germany. The prisoners responsible for the forgeries were shifted continuously from place to place to try and keep them from escaping to allied lines. They were constantly broken up, reformed, separated and reunited. In the end, the SS decided that they were too much of a liability – that they knew too much – and would have to be “silenced”.

However, in typical German efficiency, the order given was that all the prisoners involved in the forgery operations had to be executed together – this way there was no chance of one or two of them escaping, or of there being any sorts of mix-ups. It was this strict adherence to this rule that actually saved all their lives!

In early May, 1945, the prisoners were moved yet again – this time to Ebensee Concentration Camp. The men had been broken up into three groups and were transported to the camp by truck separately. Two groups arrived, were sent into the camp, and then their guards fled to try and save their own necks. The order that the prisoners had to be killed together meant that they could not yet be executed – delays in transportation (the truck broke down!) meant that the third group had not yet arrived. Instead, they had to be marched to Ebensee, which took the better part of two days. This delay only increased the group’s survival.

When the third group did arrive, they too were simply dumped into the camp before their guards also fled from advancing U.S. troops. It would be impossible to pick out 100-odd specific prisoners from the thousands within the camp, so the SS guards who had escorted the forgers there simply didn’t bother. They had more important things to do – like try to get out of Europe! In this way, the prisoners were left in the camp on the 5th of May to await an uncertain future.

On the 6th of May, 1945, Ebensee camp was liberated by American soldiers, and against all the odds, the Jewish forgery prisoners had survived the entire war – and with an incredible story to tell!

The Fate of the Fake Fivers

So much for the fate of the forgers, but what about the forgeries?

When the war ended, Major Bernhard Kruger was arrested by the British, but they soon discovered that there wasn’t much that they could hold him on. While certainly illegal at any other time in history, forging an enemy’s currency in wartime was not actually a war crime! With nothing to hold him on, the British interrogated him extensively for two years during his denazification process, and then released him to French authorities, with whom he stayed with for one year. Some of the liberated forger-prisoners, after being interviewed by British officials, agreed to sign testimonies in Kruger’s favour, stating that he had been nice to them, had looked after them, had protected them and seen to their welfare as best he could during the war.

Eventually, Kruger was released from custody in 1948 and got a job at the Hahnemuhle Paper Mill…ironically, one of the places responsible for making the paper he used in his forging operations! He died in 1989 at the age of 84. The Hahnemuhle Paper Company is still operating today.

So much for Kruger. What about the banknotes?


Most of the leftover funds ended up here – Lake Toplitz in Austria, where crates of banknotes and equipment were dumped in the dying days of the Second World War. Expeditions and dives in subsequent decades hauled up some of the estimated 100,000 pounds sterling of forged banknotes which had been disposed of in the lake, and today, these forged banknotes are highly collectible as historical artifacts.

Want to Know More?

Most of the information for this posting came from the excellent documentary film “The Great Nazi Cash Swindle”, from 2004, which you can find on YouTube.

https://www.jewishvirtuallibrary.org/operation-bernhard

Restoring a Wilkinson Sword Single-Edge 7-Day Safety Razor Set

 

When we’re taught about great innovations in the history of manufacturing and design, we’re often told that prior to 1900, the only way that men had to shave themselves was to use a cutthroat razor – three inches of hollow-ground steel sharpened to a lethal edge, and which could be fatal if you didn’t know how to use one correctly. We’re then taught that all this changed in 1901, when King Camp Gillette came along with his swanky new double-edged safety razor and revolutionised the shaving industry forever!

Right?

Not really.

The Origins of Single-Edge Safety Razors

Yes, Gillette’s safety razor was an innovation, yes, it made shaving cheaper, faster and safer…but it isn’t the game-changer that everybody seems to think that it is – mainly because Gillette was not the first person to invent a safety razor!

Safety razors date all the way back to the last quarter of the 19th century when inventors and manufacturers, spurred on by the Industrial Revolution, attempted to improve on the effectiveness and the ease-of-use of the razors then in use – that is to say – straight razors!

To this end, there were actually loads of companies in the late 1800s and early 1900s all trying to find a system whereby a safer razor could be sold to the public, which was easier to use than the traditional straight-edge, which took skill, time and patience to both use, master, and maintain. Companies like GEM, EverReady, Valet-Autostrop, STAR, and Wilkinson Sword, were all on the bandwagon!

In fact, the very notion of marketing a new device as a “safety” razor wasn’t even Gillette’s idea! Nope – the Kampfe Brothers beat him to it by twenty years! When they launched their new “STAR” Lather-Catcher in 1880, it was the first safety razor! No, it wasn’t the first to be invented, but it was literally the first safety razor in the sense that Kampfe Bros. was the first company to use the term “Safety Razor” in their very aggressive advertising. The idea caught on, and soon, loads of other manufacturers were all trying to jump on this new bandwagon of selling “safety” razors.

These early versions of safety razors were about as different from modern double-edged razors, and modern cartridge-razors as it’s possible to be. For one thing – the blades were not disposable! Nope – the whole idea was that once the blades were dull, you’d sharpen them up again like any other razor or knife or pair of scissors – and then you’d give them a thorough stropping with a piece of leather, and put the same blades back into service. In an era when money could be tight and people wanted as much value out of their products as possible, this was an attractive, and cost-saving feature.

These razors were what’s known today as “single-edge” or “S.E.” razors, because only one side of the blade was sharpened. They were basically modified straight razors, with the blade cut into chunks, fitted inside a protective steel cage or guard, and then affixed to a handle or grip – the same as just about any other safety razor today, except for the shape, fit and finish.

Wilkinson Sword Single-Edge Safety Razors

Wilkinson Sword is one of the most famous cutlery companies in the world, founded by famed London gunsmith Henry Nock in 1772. As the name suggests, the company originally made…swords! When the demand for swords started to fall away however, after the American Revolution, French Revolution and the Napoleonic Wars of the 1770s, 80s, 90s, and early 1800s, the company had to find something else to make, and they turned from edged weapons to edged tools.

While the Wilkinson company made loads of things – rifles, guns, bayonets, swords, and even motorcycles during WWI – they became famous for razors in the late 1800s and early 1900s, shortly after the company was officially named “Wilkinson Sword”, in 1891. Along with companies like Kampfe Bros., GEM, and Valet-Autostrop, Wilkinson Sword became one of the most famous manufacturers of razors in the world, and they started cranking them out in earnest in the 1910s and 20s.


Wilkinson Sword safety razors made in the early 1900s were all of the single-edged variety, with removable hollow-ground blades designed to be reused and re-sharpened over and over again. Sets came in handsome stained wood, or leather-covered boxes, with a little rack to hold the blades, and a cradle to hold the razor and strop. The company gave the sets attractive, classy-sounding names like “Empire” and “Pall Mall” to appeal to customers aspiring to be seen owning and using the very latest in personal grooming devices.
In the 1930s, these sets started becoming more simplified. The wooden boxes with their metal fittings or leather exteriors were replaced with simpler steel boxes, nickel-plated, and adorned with more hip, Art Deco-style designs.

In our increasingly waste-conscious world, people have started rejecting throwaway cartridge razors, and some are even rejecting the less-wasteful, but still disposable double-edged razors – the kind introduced by King C. Gillette at the turn of the last century. There’s a growing interest, in the 21st century, in using vintage razors such as the classical cutthroat straight-edge, and in single-edged safety razors with reusable blades.

So, how exactly do you use them? Where do you get them? What kinds are there?

One of the most easily accessible manufacturers of these types of vintage, single-edge razors are those made by Wilkinson Sword! I purchased a set on eBay, and spent the last few days restoring it to as close to its original condition as I could reasonably manage. So, what exactly needed doing?

Restoring the Razor Set

The good thing about these sets is that they’re very over-engineered. The metalware is typically brass, heavily plated in nickel for extra protection, and the blades are carefully protected in their own little racks inside the storage case.

So what’s the biggest issue with these sets?

Perhaps unsurprisingly – water damage. They’re razors, they’re used in wet, damp environments, after all, and water-damage (specifically rust) is their greatest enemy.

The set I bought was a bit battered, but in usable condition, barring rust, to greater or lesser degrees, on almost every single one of the seven blades which made up the kit’s seven-day set. The first thing to do was to take everything out of the metal case, blow it out, dust it and clean it.

Once that was done, I was able to more closely examine the blades, which had obviously been used rough and put away wet – literally. To de-rust the blades meant having to slide them out of their protective brackets, the little metal sleeves which allow the blades to be mounted inside the razor head. In some cases, this was pretty easy. In others, the blades had to be tapped loose with a hammer! In some instances this wasn’t too difficult, in others, the blades required real persuasion.

When metal rusts, it expands, and that causes the friction which jammed the blades into their mounting brackets. Liberal use of WD-40 and a lot of firm but determined hammer-tapping loosened the really stiff blades, however, and meant that I could get on with the main job:

Cleaning the mounting brackets, and de-rusting the blades. Fortunately, the brackets are, like the razor, heavily plated in nickel, so there’s no rust or corrosion to be found there – just a lot of dust and gunk, easily removed with cotton-buds.

De-rusting the blades required treatment with an acidic de-rusting solution, and then polishing with 0000-grade steel wool to remove the final encrustations back down to bare steel. Removing the water-marks on the blades would be nigh impossible (and even if I did remove them, they’d only come back after more contact with water), so I left them as they were. I did however, remove all the rust and smooth off the steel, and then sharpened and stropped the blades (again, with them removed from their mounting brackets) before putting them all back together and back into the razor case.

The next thing to do was to attend to the razor itself. It has a number of moving parts, such as the comb, the bar that holds the razor-blades, the spring-loaded teeth which hold the blades in place when the razor is in use, and the swivel-knob at the base of the handle for releasing or tightening up the razor-head for when you want to insert or remove a blade. Obviously, when you’re dealing with something that’s literally razor sharp, you don’t want any sort of stiffness and jerky components!

Replacing the old Strop

One feature of these old single-edged razor kits which is pretty nifty is that they almost all came with some type of automatic stropping device, to smooth off the blades and realign the edges between shaves. You can see this in the STAR razors, the Wilkinson Sword razors, the Rolls Razors, and – pretty obviously – in the Valet Autostrop razors. The basic premise was that you fed the strop through the razor (or put the blade into a specially-made stropping handle) and ran the blade back and forth across the strop.

The strops were made of leather. This means that they don’t always last. They dry, they crack, they break, or they wear out from overuse – so replacing them, if they can’t be revived, is rather important.

This is easily done with a piece of leather of the right thickness, length, and finish. The leather must be smooth, soft, and thin. In the case of the Wilkinson Sword razors, the leather must be thin enough to fit into the gap in the razor-head through which the strop is designed to run. Then it’s simply a matter of finding a way to mount one end of the strop to the wall, and being able to feed the other end through the razor. The leather has to be long enough to strop the razor effectively – at least 12 inches long.

How Does this Set Work?

It’s pretty simple, really.

You sharpen the blades on sharpening stones of appropriate grits, until they’re literally razor sharp. Then, you strop them on a strop.

Make sure that you remove the blades from their brackets before sharpening, to prevent damage, and to put them back into their brackets when stropping, so that they’re easier to hold. You can either use the automatic-stropping system that comes with the razor, or if one doesn’t exist, because the original strop is unusable or missing (or you haven’t had the opportunity to make a new strop, which is easily done with enough of the right leather), then you can use an ordinary straight razor strop. It’s not ideal, because these small blades can be fiddly to hold, but it does work.

If you do have a compatible strop for the razor, then you mount one end of the strop to the wall, and feed the other side through the razor where it says “INSERT STROP THIS SIDE”. With a firm grip on the razor, and keeping the strop straight and level, slide the razor back and forth across the stop – the faster, the better.

The faster you do it, the faster the gears on the razor engage with the strop, causing the blade to flop over to the correct side for each pass along the strop. Thorough stropping typically involves a couple of dozen passes to ensure complete coverage of the blade. It’s important to keep the strop level so that the blade connects with the leather, and it’s equally important to keep the strop tight, so that the blade doesn’t slice up the leather due to improper angle between the blade and strop.

When you’re done, you simply slide the razor off the strop, and now you’re ready to lock the blade into the razor, and commence shaving.

If you’ve used the razor method of stropping, then you can ignore most of what comes next. If you had to strop the blade by hand, then you will need to read what comes next, because that’s how to put the blade into the razor, ready for shaving…

This is done by unscrewing the knob at the base of the razor, so that you loosen up the razor head. You swivel the mounting bar that holds the blade upwards, and slot the blade (in its mounting bracket) onto the bar at right-angles to it, so that the knob on the bar fits into the hole in the bracket. Then you twist sideways, and this locks the blade into place.

Flip the blade down the correct way (pointing towards the adjustable comb feature at the front of the razor) and hold it in place by pressing the adjustment-knob at the back of the razor head. This slides out the comb, which locks the blade in place with two little teeth, stopping it from flopping around everywhere. Finally, adjust the razor head and tighten up the knob in the handle to hold everything in place.

You’re now ready to shave!

To remove the blade, you simply release the knob in the handle, press the adjustment-knob at the back of the razor head to unlock the blade, and twist it off the mounting bar. Easy! Just make sure that in all these operations, you don’t cut yourself on the blade.

In this last image here, you can see the razor with the blade correctly inserted, with the two prongs or teeth holding the blade down, ready to shave. As you shave, the stubble and soap builds up under the blade, between the edge, and the teeth or ridges on the comb. You can remove it all easily when the time comes to remove the blade after use.

Looking After the Razor Set

Looking after a Wilkinson Sword or similarly-styled single-edged safety-razor set is much like looking after a set of straight razors, and the same rules apply.

The blades should be sharpened thoroughly, stropped generously, and kept DRY when they’re not in use. These old blades are made of carbon steel, and as such, they can rust extremely easily. If you expect your set to last, the blades must be kept dry between uses, and any blades used must be cleaned and dried after shaving, before they’re put away. Any damp at all will cause the blades to start growing rust. In fact this was such a problem with early razors that Wilkinson Sword was one of the first companies in the world to start selling stainless steel razor blades in the 1960s!

Closing Remarks…

So – what are my thoughts on this? Are these old SE razors effective? Do they shave?

Yes they do. They take a bit of getting used to, but having used my Wilkinson Sword set, I can assure you, they most definitely do shave, and they do it passably well. Their bulk may make them tricky to handle in the beginning, but I’m sure with practice, you could get quite good at it.

Are they worth buying and using as everyday shavers?

Yes, if you don’t mind the extra maintenance, and the potentially high costs of purchase and possible need for restorations.

What should I check for when buying such a set?

Quite a lot, actually. Make sure that the set is complete, that the blades are in usable (or at least, restorable) condition, that the razor is functional and free from cracks or other damage, and that they can be cleaned thoroughly before use. As for yourself, make sure that you know how to properly sharpen a razor blade before using it. Shaving with a blunt razor is a recipe for disaster, so it’s better to over-sharpen a razor than it is to try and cut corners with it, and make sure you strop the blades thoroughly before use.




A Belated Birthday: A Pilot Vanishing Point

 

With the latest passing of my birthday (and the less said about that, the better), came the arrival of the latest addition to my pen collection: A postwar masterpiece of design which has remained popular for over 50 years – the Pilot Vanishing Point.

Alternatively called the Pilot Capless, the Vanishing Point or “VP” was invented by the Pilot Pen Company in 1963. It’s the world’s only click-action retractable fountain pen!…which is why I wanted to add it to my collection – because it’s such a unique and different design.

The Vanishing Point works like any other retractable click-action pen. There’s a button at the back, which works on a catch-and-release principle, using ratchets and springs. Pressing the button down pushes the whole pen assembly out, and locks it in place. Pushing the button again releases it and the spring shoots the assembly back inside the pen-barrel – with a sliding door or shutter at the opening that closes upon retraction, to seal the pen and stop the ink from drying out on the nib.

The Pilot Vanishing Point in Stainless Steel with 18kt gold rhodium-plated nib


Refilling the pen is as simple as unscrewing the pen in the middle of the barrel, pulling, or letting the pen-assembly slide or drop out, and then refilling it using its converter, like you would any other modern fountain pen. Once it’s filled, you dry off the excess ink, and re-insert it into the barrel.

Because the Vanishing Point is a fountain pen, however – you can’t just shove the assembly back into the barrel any old way – it has to (and can only) go in ONE way – which is the correct way. And that correct way is with the nib lining up with the pocket-clip at the pen’s base, before you drop it into the barrel again. If it doesn’t – then it’s very simple – the pen doesn’t work! The pen has to be assembled this way because fountain pen nibs only write when they’re in the correct orientation, and anything else would render the pen useless!

Now of course, you could just as easily move the pocket-clip to the back of the pen, near the click-button, like on every other click-action retractable pen – so why don’t they?

The reason is because of a simple quirk of fountain pens – that they should always be stored nib-upwards, when they’re placed in your pocket. This prevents jolting and leaks and ink-splashes. You couldn’t do this with a Vanishing-Point, if it had the clip near the click-button – hence the clip’s positioning near the nib. It keeps the nib up, and prevents ink from being spat out of the pen if it’s jolted or shaken around while it’s clipped inside a pocket.

Doesn’t this make the pen tricky to write with?

Honestly? No. The clip is minimalist and smooth, and doesn’t get in the way of your fingers, so it’s not an issue while writing.

So, apart from the upside-down clip and the nifty click-action retractable mechanism, what else does the pen come with?

Well – it also includes an 18kt gold nib!

A small nib, but 18kt, nonetheless, in the standard sizes of XF, F, M, and B. Vanishing Point nibs come in two varieties – the traditional yellow gold, and the less traditional, but still stylish rhodium-plated gold, which gives the nibs a glossy, silvery sheen, without sacrificing the quality, or prestige, of having a nib made of 75% gold!

Another nifty feature about the Pilot Vanishing Point is that the nibs can be removed and exchanged!…Or at least, the whole interior pen-mechanism can. So, if, for example, you wanted a Vanishing Point with a fine nib, and could only find Broads, you could easily buy a broad-nibbed VP, and then find somebody else with a fine-nibbed VP who wanted to swap out their nibs. All you’d have to do is unscrew both pens, swap the pen-assemblies around – and hey presto! A fine nib! It’s similar to the nib-swapping abilities of the Pelikan Souveran series, where the nib-units can just be unscrewed from the sections and swapped out between pens.

This ease of disassembly also makes the Vanishing Point extremely easy to clean – which is great, because not all pens are!

Pilot Vanishing Point – CONS

The Vanishing Point is about as different from a conventional fountain pen as you could get, and this does lead to a few things which may take some getting used to…

The first one is the pen’s ink-capacity. Its cartridges and converter, by necessity, have to be kept small, to give space for the retraction-mechanism to work inside the pen. Because of this, refilling the pen will have to be done more often.

The upside-down clip may be irritating to some people, because they may find it interrupts their natural grip on a pen. Be sure to try out a few Vanishing Points in person before you commit to buying one, to be absolutely sure that you’re comfortable holding it and writing with it for extended periods of time.

Pilot Vanishing Point – PROS

The pen is lightweight, comfortable, and smooth to hold.

It’s very easy to operate.

The click-action retractable mechanism is smooth and robust.

It’s extremely easy to clean.

It’s easy to swap out nib-units with other VP owners.

It comes in a WIDE variety of finishes, from elegant, futuristic, colourful or plain.

Being able to click the pen open and shut with literally a flick of the finger, without having to worry about what to do with the pen-cap (because it doesn’t exist!) makes the pen a great one for jotting down quick notes on the move.

Is the Vanishing Point worth Buying?

The Vanishing Point is not for everybody, but then, neither is any other pen. If you’re after a pen which is unique, futuristic, which stands out, and which will confound and surprise your non pen-collecting friends, then the Vanishing-Point will definitely turn heads. If you want a pen that’s different, unique, convenient and low-maintenance, the Vanishing Point may well be for you.

However, if you need a pen with a large ink capacity, which you can write with for hours and hours at a time, then you might be in strife. Not that this pen can’t do that, of course, but that you’ll need to carry extra ink with you, should you choose to do so.

Solid Silver Bombilla – Fancy Antique Tea Straw!

 

Picked this up at the flea-market before our current lockdown happened. At least it gave me something to play around with, something to write about, and something to restore, during this winter of our discontent. Great discontent!

This is an antique, silver bombilla.

What is a Bombilla?

A bombilla (“Bom-bee-yah”) is a straw, designed for drinking yerba mate, a type of tea popular in South America. To prepare mate, a quantity of tea-leaves are crushed and then poured into the teacup – or mate gourd – and then hot (but not boiling) water is poured on top. The bombilla is inserted, and once the tea has brewed, it may be drunk out of the gourd using the bombilla.

To prevent rusting, bombillas were always made of non-ferrous metals – brass, copper, pewter…or if you could afford it – solid silver, like this one. These days, most bombillas are made of stainless steel.


Due to the high quantity of tea-leaves and leaf-powder present in yerba mate, it’s usually impractical to drink the tea as one might with other types of tea – since you’d end up swallowing half the tea-leaves along with the drink! It’s for this reason that the bombilla was invented. The bombilla allows you to suck up the tea, while bypassing the tea leaves. And in case you can’t, then there’s always the filter or strainer, at the bottom of the bombilla, to catch any tea-leaves or grit that might be sucked up by the straw. This stops the leaves from clogging the straw, or from being swallowed…or choked on…by the drinker, while enjoying their tea.

Antique bombillas made of silver are often intricately formed and decorated. The straws are chased, engraved, they might twist and turn in a spiral fashion (think of those plastic crazy-straws that kids use), or they might even have applied, silver decorations to them, similar to mine.

How is a Bombilla Used?

You suck on it.

OK, actually it’s a bit more complex than that. Not by much, but a bit.

Bombillas come with a filter at the bottom. That’s the little perforated strainer that you see at the end. It’s purpose, as mentioned earlier, is to prevent you from sucking up and either swallowing, or choking on – the tea-leaves or tea-dust inside your mate. The mate tea-leaves are pressed to one side of your cup or gourd, and then the hot water is poured in. This means that only a small amount of tea-leaves are steeped at any one time, so that you can get the strongest flavour! This is also why you have the bombilla, anyway – to drink the tea at the bottom of the gourd, since you sure as hell can’t hold it up and drink it – unless you want the tea-leaves going all over you!!

One useful feature about bombillas is that you can pull them apart. Usually, the filter-bulbs unscrew, or unplug from the straw. This allows you to clean out the straw, clean out the filter, remove any clogging from tea-leaf residue, and keep the whole thing in working order. In my case, the filter just unscrews, like so:

Once your bombilla’s been cleaned – you simply screw the two parts back together. Easy!

Because bombillas are metal, the tea they’re used to drink is rarely served (or at least, drunk) at boiling-hot temperature, to prevent burning your mouth or lips on the straw. The length of the bombilla (this one is 8 inches long!) also aids in helping the tea to cool down during the journey from the teacup to your mouth.

Cleaning your Silver Bombilla

As it’s going to be something that you’ll put in your mouth, it probably goes without saying that if you do buy an antique silver bombilla, you should definitely clean it before using it. This can easily be done with soap, hot water, and a thin, stiff-bristled bottle-brush or tube-brush, to scour out and clean the inside of the straw, and the filter.

If you need to polish the silver, you can do that with either a liquid or paste silver polish (I use Hagerty’s polishing paste), a silver-polish cloth, or, if you’re worried about the residue from the polish getting into the straw – you can use the baking-soda method!

This has become a very popular method for cleaning silver over the last few years, and you can find loads of videos about it on YouTube.

Put simply – you line a wide, flat-bottomed container with aluminium foil (shiny side up). You put the silver item into the foil-lined container (in this case, the bombilla), and then you fill the container with BOILING HOT WATER. It has to be boiling hot, or else nothing happens.

Next, you pour in copious amounts of baking soda, making sure to cover as much of the silver item as possible. The baking soda and the hot water react, and you get a fizzy, sizzling sound, and lots and lots of bubbles. The baking soda reaction eats away at the tarnish on the silver, scouring the metal with the fizzing water, and loosens and removes blemishes from the surface of the metal. Then – fish the silver out, and dry it off. The baking soda will either have removed the tarnish entirely, or if not, then will have loosened it enough to remove it by regular polishing.

This method is useful if the silver item you’re cleaning is intricate, fragile, extremely dirty, and/or hard to clean, or if you’re cleaning loads of things at once.

Can you Still Find Silver Bombillas?

Absolutely!! There’s loads of them – mostly antiques – on eBay, but they can be quite pricey. Anywhere from $100 – $500, depending on the age, condition and size. Some are quite small, others, like mine, can be quite lengthy. If the bombilla is silver, it’s usually stamped on the filter at the bottom of the straw with 800, or 900 silver. When buying, make sure that the filter is undamaged, without dents, and can be easily removed and replaced on the straw (this is vital, because otherwise, you can’t clean it if it gets clogged or needs rinsing out!).

But – you might be asking – what about the yerba mate gourds? The cups used to drink the tea out of? Are they made in silver, too?

Oh, you bet! They’re not as common as silver bombillas, but silver gourds can be found, although, like the bombillas, they can be fairly expensive. Sometimes, you can find them together, sold as bombilla-and-gourd sets.


Japanese Personal Chopsticks – In Sterling Silver!

 

I love silverware. There, I said it. I love the colour, the history behind pieces of wrought silver, and the limitlessness of the vast array of items which can be made out of silver. One thing I’ve always wanted is a pair of silver chopsticks!

After hunting and digging around on eBay for literally months, and using every combination of words that I could possibly conjure, I finally settled on a pair of silver chopsticks which were affordable, in great condition, which were marked, and which would be easy to use, and maintain.

The chopsticks I bought are Japanese in style, and they showed up in a nice, wooden presentation box, where they can be stored when they’re not on active duty as waistline-enhancement devices. All in all, a pretty nifty package.

The History of Silver Chopsticks

Silver chopsticks have existed for centuries, throughout Asia – mainly in the three major chopstick-using countries – China, Korea, and Japan. Just like silver cutlery in Western countries, the purpose of silver chopsticks was much the same – they were a status-symbol, a store of wealth, and a source of familial pride.

The tale is often told that silver chopsticks were favoured by the great emperors of China and Japan in ancient times, because eating with silver chopsticks would tell the emperor if his food had been poisoned. Supposedly, the poison would turn the silver black! – and this would be a sure sign that the food was tainted, and deadly!

Right?

No.


Actually, loads of things turn silver black – eggs, meat, spicy foods…basically anything which might have high levels of sulfur in it. It doesn’t mean that the food is poisonous – it just means that the silver has been tarnished by a chemical reaction – not that anybody in Ancient China would’ve understood what that was. It’s the sulfur dioxide, and the acids, in various foods (for example, lemon juice, salt, etc) which causes silver to turn black and discolour. Poison has nothing to do with it.

I want my own Set of Silver Chopsticks! Where do I get them?

Antique silver chopsticks can be found, if you’re patient enough, but you can also buy modern sliver chopsticks! Yes, silver chopsticks are still made today (try eBay, if you want to find a set), but beware of fakes!

As a general rule – never buy silverware (chopsticks, or otherwise) which is not hallmarked! Especially from online sources, like eBay. One of the main reasons for collecting silverware, now, as it was in centuries past – was to act as a store of wealth. That wealth doesn’t exist if the silver isn’t real! And in most cases, your word that the silver is real, isn’t going to convince most people – so why should you take the word of somebody else, that the silver they’re trying to sell you, is real, if they can’t independently prove it, by showing the hallmarks? Always remember this when buying silverware, especially from some Asian countries, where hallmarking is less stringent than it is in say, North America, and in Europe.

After all – that is the whole point of hallmarks – proving that silver is real. Believe it or not, but hallmarks on gold and silver are the oldest surviving form of customer-protection IN THE WORLD – and date back literally 1,000+ years, all the way to the Byzantine Empire of the 5th century!

“SILVER 925”, or 92.5% silver by purity. AKA – Sterling Silver.

I bought these chopsticks because they were clearly marked “SILVER 925” on the shafts. Without that – I wouldn’t have bothered. There are loads of sellers out there with “silver” chopsticks assuring you that they are silver, but until you get them tested, you only have their word for it. And sorry, but a person’s word isn’t enough to convince me to blow money on something silver, if it isn’t marked – and it shouldn’t be enough for you, either. And a lot of these chopsticks online and elsewhere, aren’t marked. Whatever you decide to buy – make sure they’re marked. If they don’t show you a photograph of the marks, or if you can’t find them – then move on and keep searching.

Japanese Personal Chopsticks!

One thing I loved about the chopsticks I bought is that they came from Japan. This interested me for a few reasons…

One, because Japan loves making things out of silver (seriously, have you seen Japanese silver sake sets?), but also, two, because Japan has a strong culture of personal dining utensils.

Unlike China, it’s really common in Japan for people to have their own personal, individual chopstick-sets, instead of just digging out a pair of mismatched whatevers, from the darkest depths the cutlery drawer in the kitchen, whenever it’s time to eat. You can even go to that Japanese super-store, DAISO, and you’ll see individual chopsticks-sets for sale – usually aimed at children – so that they can get used to the idea that “this is MY set, and only I am going to use them!” (by the way – those child’s sets are also really useful if you ever decide that you need a small set for traveling, or keeping them at the office for lunch, or whatever!) – they even come in their own little pouches and cases, enforcing the idea that these are your chopsticks, and none shall have use of them, apart from you!

The culture of personal chopsticks sets is so strong in Japan that there’s even stores there (bricks-and-mortar, or online) which sell a stunningly wide array of chopsticks in all kinds of styles and designs, from retractables, glass, porcelain, bamboo, bone, steel, exotic woods, screw-apart compact ones – and hell yeah – even ones in solid silver!

So – if you are looking for a nice pair of silver chopsticks – probably best to start in Japan, and widen your search from there.

Aside from that…

…happy eating!