Decadent and Delightful: A History of Dressing Gowns

Despite the fact that winter in the Land Down Under has barely started, we of the Antipodes were recently given a stern reminder of the fact that, despite being one of the hottest and driest countries on earth, Australia can also get bloody cold in winter time! This is due to the oft-overlooked fact that there’s no landmasses between us and Antarctica, defending us from the frigid gales, storms and icy cold fronts that routinely come blasting up from the Roaring Forties.

Waking up to below or near freezing temperatures every morning is no-one’s idea of pleasant unless you’re a penguin. And this was what prompted me to start looking into buying myself a new dressing gown. I had one when I was younger, but after it started falling apart, I never bothered replacing it. Fed up with the cold mornings, I finally decided that I had to get a new one.

Soft, fluffy and warm! Velour cotton navy blue, with a pair of waist-level patch pockets, sash-loops and sash-belt. Red would’ve been nice, too, but blue seemed to be almost all they had.

At first, I wasn’t even sure if I could replace it. After all, dressing gowns are typically seen as being rather old-fashioned these days. Apart from myself, I only know one other friend who wears them (if he’s reading this, he knows who he is!), and I wasn’t even sure if I’d be able to buy one. But after browsing the websites of two or three major department stores in town, I decided that I’d head out and buy something! I was fed up of constantly shivering every morning, and the weather over the next few weeks was only slated to get even worse.

What is a Dressing Gown?

A dressing-gown, also known as a housecoat, nightgown or dressing robe, is an open-fronted, loose-fitting garment with wide sleeves, typically ranging in size anywhere from knee-length down to ankle-length. It typically comes with two waist-level pockets, a pair of sash-loops, and a fabric belt or sash, designed to hold the robe shut.

Dressing gowns are designed to be worn over the top of one’s other clothes, such as (but not limited to) underwear, sleepwear such as pajamas, or one’s day-wear when around the house. Dressing gowns typically come in two different styles – those worn for comfort, and those worn for style.

Dressing gowns worn for comfort – usually for the purposes of keeping warm – are typically made of cotton or wool in various weaves or finishes. They’re designed to be soft, fluffy, warm and pleasant to touch. Dressing gowns worn for style are usually made of silk. They’re much thinner and are worn more as a fashion accessory than as a way to beat the cold!

What is the Purpose of a Dressing Gown?

Dressing gowns are usually worn for one of three reasons: For warmth, for fashion, or for the sake of modesty. The reasoning behind these three options will be explained later, but basically they’re linked to history, societal expectations, and comfort.

The History of the Dressing Gown

Robes of any description were among the first clothes ever worn by humankind, and in one form or another, their use date back for centuries.

In prehistory, robes were the easiest clothes to manufacture, and the easiest to wear, typically made up of flat, easily measured, easily sewn panels of cloth, ranging from Chinese silk robes, to Middle Eastern robes of cotton and wool, the Japanese kimono, to European academic or judicial robes, and all the way back to ancient Roman and Greek robes such as togas, robes of all kinds have permeated global culture.

Diarist Samuel Pepys in his nightshirt, cravat or kerchief, and draped with his dressing gown (1666).

The dressing gown, and indeed, pajamas themselves, migrated to Europe at the time of the Renaissance during the 1500s and 1600s, originally coming from the Middle East. The word “pajamas” comes from the Iranian words “Pai Jamahs”, originally referring to the soft, loose-fitting pants or trousers worn by people in the Middle East (especially in Turkey, India, and Iran). The dressing gown evolved from the Turkish and Persian “Banyan”, a loose-fitting over-robe worn for the sake of modesty and comfort. In this way, both the dressing gown (and its cousin – the bathrobe), and pajamas, are of Middle-Eastern or west-Asian origin.

The European Dressing Gown

The dressing gown started taking off in Europe in the 1500s and 1600s. For much of Western history, right up into the early 20th century, shirts of any kind – tunic shirts, collared shirts, T-shirts – were seen as underwear, akin to briefs, trunks or boxer-shorts. Shirts were seen as a necessary evil. They were regarded as underwear – to be worn under one’s regular day-clothes, and to be worn in bed as sleepwear. For the sake of modesty, shirts used to be much larger than they are today, and using much more fabric than is now the case.

A film screenshot depicting Ebeneezer Scrooge (of Dickens’ ‘A Christmas Carol’ fame) in his dressing gown, before the visitation of the Three Ghosts.

As shirts were regarded as underwear, it was considered VERY unseemly, and even rude, to appear in the presence of guests ‘in your shirtsleeves‘, as the literature of the time put it. That being the case, if it was required for you to make an appearance in front of guests in a ‘state of undress‘ as they said at the time, then the socially acceptable thing to do was to throw your dressing gown over your half-dressed body before entering a room. This not only kept you warm, but also preserved modesty.

In the 1800s, pajamas as we know them today – with a matching jacket and trousers – started to replace what was increasingly seen as being the antiquated and frankly -unhygienic – nightshirt, which was the usual sleeping garb for most people since medieval times. By now, the modern button-down shirt (in the form of the ‘tunic shirt’ with a separate attachable collar, which would later morph into the modern dress-shirt) had replaced the up-until-then, ubiquitous nightshirt as daily wear.

Despite this change in status of the humble shirt, the stigma of being seen in your shirtsleeves remained strong throughout the Victorian era, and it was still seen as a major faux pas to be seen dressed in your shirt alone. For this reason, the dressing gown remained popular as a garment, being an acceptable, and later, stylish way of preserving modesty while entertaining company in one’s own home.

The Dressing Gown as a Fashion Accessory

By the later 1800s, leading into the 20th century, the dressing gown started being seen, not only as a necessary evil, but also as a fashion accessory. This was partially spurred on by popular culture such as art, literature, and increasingly – motion pictures in the 20s, 30s, and 40s.

A character famous for his indulgence of luxurious clothes, James Bond did much to associate the dressing gown with sex-appeal and the playboy lifestyle.

It was at this time that increasingly elaborate dressing gowns with quilted fabrics, silk linings, satin exteriors, patterned silks, and carefully woven cotton or woolen fabrics became popular. As dressing gowns started being seen more as stylish sleepwear or casual, household lounging-attire, they continued to be increasingly embellished.

The ankle-length dressing gown owned by President J.A. Garfield.

Dressing gowns were often accentuated with embroidery and piping along the pocket-seams, cuffs, sash, sash-loops and around fastening-points such as straps, buttons and buttonholes. Hollywood films of the 1920s, 30s, 40s and 50s increased the popularity of dressing gowns. People were treated to scenes of big celebrities like Basil Rathbone, Nigel Bruce, Cary Grant, Sean Connery and Noel Coward, to name but a few – regularly dressed, either in photographs, or on the silver screen, in dressing gowns, lounging around in their bedrooms or living-rooms.

The late Hugh Hefner was famous for being photographed in his silk and satin dressing gowns. This did much to strengthen the associations between dressing gowns, casual lounging and wealthy, idle hedonism in the 20th century.

Noel Coward and Hugh Hefner were particularly famous for lounging around in their dressing gowns, and this gave the gown an air of upper-class luxury, seductiveness, hedonism and relaxation. These connotations have lasted into the modern era, although some might say that the dressing gown as the stereotypical outfit of the gadabout idle playboy has somewhat diminished its appeal.

Dressing Gowns as Practical Accessories

If you live in a country that routinely experiences harsh winters such as northern Europe, southern Australia, New Zealand, or the northern reaches of the United States or Canada, then you’ll readily appreciate why the dressing gown became popular as an article of household attire and sleepwear, and also, why it remained popular for such a long time.

Remember that many houses from the 1600s to the early 1900s – the era when dressing gowns were most popular – did not have any form of central heating. While bedrooms, reception rooms, and private offices or studies might’ve had fireplaces, most other areas of a house – corridors, store-rooms, servants quarters, kitchens, etc, had absolutely no heating at all in the depths of winter. A thick, heavy, well-padded dressing gown was therefore essential for holding back the winter chills – especially if you had to rush out in the middle of the night for any reason.

This was the time of the “Little Ice Age”, an era of history stretching from late Medieval times until the mid 1800s, when global temperatures were significantly colder than they are today. Clothing choices, such as three-piece suits, cloaks, capes and yes – dressing gowns – became not only fashionable, but also vital – to keeping out the cold in houses and buildings where heat was limited, and when the difference in temperatures between indoors and outdoors was negligible at best.

Dressing Gowns: Types, Styles and Elements

There are, broadly speaking, two or three types of dressing gowns.

Dressing gowns designed for warmth and comfort, and those designed for fashion.

Materials and Fabrics

Dressing gowns meant for fashion or style are typically lighter-weight and are made of silk, satin, or lightly-woven cotton fabrics. They’re used primarily just to cover up one’s other clothes so as to present a neat and stylish appearance. They’re also useful in warmer climates where a heavier garment would be uncomfortable.

By comparison, a dressing gown worn for comfort and warmth is typically thicker, and much heavier, made of heavier woven cotton or even wool fabric, ranging from thinner terrycloth, to heavier velour or even velvet fabrics. The gown might be silk or satin-lined for comfort, or may not be. To provide extra warmth, some gowns may even be quilted – that is to say – they’ll have two layers of cloth (the exterior and the lining) and have something else – usually wool or cotton padding – sewn or ‘quilted’ between the two layers like a sandwich, to add bulk and warmth.

Sizes and Styles

Dressing gowns typically come in one of two lengths: Knee- or shin-length, and (although rather rare today), ankle-length. My dressing gown is shin-length. Most which are made and sold today will be knee or shin-length. Longer, ankle-length gowns aren’t as common today, what with the advent of more effective home-heating, so If you want a longer, ankle-length gown, you’ll either have to make it yourself, or ask a tailor to make one for you.

Dressing gowns come in a variety of styles. For more structured, fitted gowns, the more casual, relaxed ‘shawl’-style collar and lapels are popular. For less structured gowns, a simple folded over collar and lapel is common. As dressing gowns were originally inspired by Far East and Middle-Eastern designs, some gowns are deliberately modeled on, or imitate the look of garments such as Japanese kimono.

Fastenings

While some dressing gowns (especially back in the Victorian era) came with buttons, straps and hooks for fastening, the accepted stance is that the vast majority of dressing gowns don’t come with any fastenings at all. If you need to keep your gown closed (for modesty, for warmth, etc), then simply fold one side over the other, and use the sash. Typically, the tightness of the sash and the friction of the fabric rubbing against itself will be enough to hold the gown shut.

Gowns which did have fastenings (usually buttons) had embroidered cord buttonholes or strapped buttonholes which were woven and sewn into the design of the robe, adding to the overall embellishment of the garment.

Pockets

Most gowns come with two pockets, usually patch pockets or similar, at waist-level. Patch pockets get their name because they’re simply square patches of matching fabric, which are sewn onto the sides of the garment. Almost all dressing gowns come with patch pockets, whether they number one, two (the most common) or three (not as common, but you can still find them).

While most gowns come with two patch pockets at waist-level, some gowns are also manufactured with a third, breast-pocket at chest level. A gown with a breast-pocket may have the manufacturer’s monogram or logo embroidered or sewn onto it as decoration. However, if the pocket is blank, you can have your own initials or monogram sewn there instead – Noel Coward was famous for doing this.

Sashs and Sash-Loops

Almost every dressing gown is considered incomplete without the soft, cloth belt, or ‘sash’ which accompanies it. The sash is a simple cloth cord, strap or belt that is designed to be wrapped around the waist and tied at the front or side, in order to keep the dressing gown closed.

To help guide the sash around the body of the robe and its wearer, and to keep the sash from sliding or falling away if it comes undone accidentally – most dressing gowns will also have two sash-loops – typically at waist-level, just above and behind the pockets. Sashes are typically made of the same type of fabric as the gown, or are made out of the fabric that lines or edges the gown, to provide a nice contrast.

Buying a Dressing Gown

So, you want to buy a dressing gown, huh? There’s a lot of things to consider.

Firstly – can you even find the style that you like? If you think you can’t, you can either get a tailor to design and make one for you – or if you have the skills – then you can do what I did – and simply make your own. I wore my own creation for five or six years before it started coming apart, but while it lasted, it was excellent!

Secondly – you need to decide why you want your gown. Is it for casual wear? Or for comfort and warmth? This will determine the types of fabrics that the gown will be made of. Gowns are typically made of silk, cotton, wool or velvet in various weaves, patterns and decorations.

Thirdly – How big do you want the gown to be? Ankle-length gowns are rather rare these days unless you can find someone to make one for you. The most important thing to consider when buying a gown is how it fits you. Remember that dressing gowns are meant to be worn over the top of other clothes – so they need to have lots of space to move around. If you’re buying your gown in-store somewhere, don’t be afraid to just throw it over the top of whatever it is you’re wearing on the day.

Fourthly – How much do you want to spend on your gown? Really luxurious handmade silk dressing gowns can cost upwards of $1,000. Whereas more reasonable gowns, typically made of wool, cotton, or less elaborate silks or in plainer styles and patterns, may be purchased for just a couple of hundred…my navy blue number cost me all of $60.00! So they need only be expensive if you want them to be, and can afford it.

Lastly – pick a gown that goes with as many outfits as possible. Think about your sleepwear – what colour pajamas do you have? What would go best with them? Would the gown look just as good draped over just anything else? If the answer to these questions is all ‘Yes’, then buy it. Classic gown colours are typically blue, red, brown, black, and grey. This is just my opinion – but I would seriously avoid buying a dressing gown in white, because then it starts looking far too much like a bathrobe…

Dressing Gowns Vs. Bathrobes

Last, but not least. What’s the difference between a dressing gown and a bathrobe?

While superficially, they look and feel very similar, the differences between the two garments are quite significant.

Bathrobes are made of toweling fabric – a thick, absorbent fabric (usually cotton), used to make floor-mats and towels. Bathrobes are designed to dry and warm the body after having a shower or bath, or after swimming. They’re not meant for long-term wear. Also, bathrobes typically only come in one very generic style, and even fewer colours!

By comparison, dressing gowns are meant for long-term wear, around the house, at night, first thing in the morning, and even during the day. They’re designed to keep the body warm, and they come in a much wider range of styles, colours, fabrics and designs.

Another key difference between a dressing gown and a bathrobe is that dressing gowns are typically meant to be worn over other clothes (either day-clothes, night-clothes or underwear). By comparison, bathrobes are almost always worn against bare flesh.

Concluding Remarks

Anyway, that about sums up this article. I hope you enjoyed reading it and that it helped you pick out what you want, or helped you make a decision about whether you want to buy a robe. I’ve always liked the look of dressing gowns and have always enjoyed how comfortable they are, as well as looking into their fascinating history and their evolution through time and fashion.

 

2 thoughts on “Decadent and Delightful: A History of Dressing Gowns

  1. Neartmhor says:

    Interesting. I do have a couple of questions though- why would the Victorians see shirts (or their feminine equivalent- shifts) as unhygienic? They were the layer worn closest to the body, and when made of linen would not only protect the outer clothing from contact with body oils, sweat and dirt, they’d also remove said body oils, etc from your skin, keeping you cleaner, cooler and more comfortable. They’d been used in this way for many hundreds of years at this point, and I can attest that even now, this system works very well. They’re also very comfortable. All of my pjs are shifts- from medieval long sleeved shifts, 18thC elbow length, regency short sleeved, to late Victorian sleeveless. All very comfortable.

    So why would Victorians, who were still wearing such garments, start to go off of them? Also, the banyans of the 18th century could be pretty embellished- often with silk linings and very fancy embroidery. I think I prefer that style of gown over the more modern tie at waist style. Especially in winter, you could have a quilted loose banyan that’s effectively works as a worn blanket. But, it’s still important to add pockets!

     
    • Scheong says:

      The Victorian attitudes to shirts mostly stemmed from the fact that – as you said – they were worn close to the body, and they soaked up all the oil and sweat and grime and dead skin and…eurgh!!

      As such, they were seen as underwear – much like trunks or boxer-shorts or briefs, etc. Just as you don’t go around showing off your undershorts, the same thinking held that you don’t go around showing off your shirtfront and sleeves, for the same reason. It was considered unseemly and frankly – rude. That, and it was really common to simply tuck the tails of your shirt between your legs back in those days, so…yeah you can probably guess where this is going… hence the desire to keep shirts hidden away.

       

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