My first love has always been the art of writing. I love just being able to relax, and let my mind run free. I love being able to let thoughts flow and form as they will, and transcribe them into something strange and wonderful, weird and whimsical.

For this reason, the right type of writing instrument has always been very important to me. Just as a concert pianist will insist on a Steinway, or a violinist will insist on a Stradivarius, or a chef will insist on Wusthoff, writers who want to use quality writing instruments also insist on certain brands of pens. In America, names like Parker, Sheaffer, Waterman, and Wahl-Eversharp spring to mind. In Japan, companies like Pilot or Namiki, or Sailor are most prominent. In Europe, you have Visconti, Conway-Stewart, and Pelikan.

But of all these dozens of pen-companies from all over the world, one particular company – and one particular model – has always stood out. That company is Montblanc, and the pen, is the Meisterstuck 149.

Much has been said, written and filmed, about the Meisterstuck 149, and in this posting, I’ll be going into a bit of the pen’s history, and why it has attained such a position as it has, among the world of not only writing, but of luxury products in general.

What is ‘Montblanc’?

Montblanc is a luxury retail company founded in Germany in 1906. The name comes from “Mont Blanc”, the tallest mountain in Europe. Mont Blanc, which is located in France, was taken as the company’s name to symbolise the fact that this company was the pinnacle of excellence in every way possible. The white star on the cap of every Montblanc pen is meant to represent the white snowcap of Mont Blanc, and the “4810” on every nib represents the mountain’s height in meters.

While today, Montblanc make all kinds of products, from leathergoods to watches and a wide range of writing instruments – originally – Montblanc was simply a pen company – and its goal was to make simple, good-quality, no-nonsense pens that worked.

What is a ‘Meisterstuck’?

In 1924, Montblanc introduced a new line of pens: The Meisterstuck (“Masterpiece”) Line (“Mys-ter-stook”), which was intended to be the company’s first-tier, first-class, top-quality range of luxury writing instruments! Between 1924 through the 1930s and 40s, Montblanc experimented with various models and styles, partially inspired by streamline styling which was highly fashionable in the late 20s and early 30s and 40s.

Based in Hamburg, a major German port-town, Montblanc’s facilities were flattened by the Allies during World War Two as the British and Americans aimed to cripple as much as possible, Germany’s manufacturing (and therefore, war-making) capabilities. When the war was over, however, Montblanc and Hamburg found itself in the new West German republic. Eager to turn over a new leaf and bring prosperity back, Montblanc rebuilt itself and went back to manufacturing their fabled Meisterstuck line, complete with the white star logo, and lifetime guarantees on all its pens.

What is a ‘149’?

The Montblanc Meisterstuck #149 is the company’s most famous pen-model BY FAR. It is instantly recognisible to any collector of fountain pens, or follower of pop culture, or connoisseur of luxury products.

But…why? Why this pen? Why this particular model? What makes it so special? And for that matter – what does ‘149’ even mean?

‘149’ refers to the original coding system used by Montblanc, when this particular model was introduced in 1952. “1” refers to the product-line. In this case – the Meisterstuck Line. “4” referred to the filling mechanism (pens with ‘4’ were piston-fillers), and the “9” referred to the size of the nib. So a Model 149 was a Meisterstuck piston-filler with a #9 nib.

From the 1950s to the 60s and 70s, Meisterstuck 149s were made of celluloid plastic – the same substance used to make similar fountain pens in the 1920s and 30s. Celluloid plastic is very strong (Parker used to chuck their pens out of office windows to prove their durability!), but it has one drawback – it discolours. Blues darken, reds fade, greens turn brown and black can fade to brown. In the case of Montblanc 149s, the striated ink-window, just above the section would discolour to a unsightly yellow-brown colour.

This is why, in the 80s and 90s (and still today), Montbanc pens started being made out of a more stable resin plastic, which was smoother, more colour-fast, was more resistant to scratching and staining, and held a high-gloss finish better than celluloid did.

Montblanc and Status

Like Tiffany & Company, Rolex, Louis Vuitton and Moet & Chandon, the name ‘Montblanc’ has, for over 100 years, been a hallmark of quality, and a status-symbol. But what was it that earned Montblanc pens, and particularly, the 149, this particular status?

One of the main reasons why Montblanc has attained the position that it has was because of the state of American manufacturing.

Between the 1850s to the 1950s, America, Germany and Britain really competed in the market of consumer-goods. Duesenberg, Rolls Royce, Parker, Sheaffer, Singer, Siedel & Naumann, Saville Row, Rolex, Royal, Remington-Rand, Ball, Hamilton, Waltham, Elgin…at one point, all these companies were household names. But how many of them do you actually recognise?

Up until about 1960, American manufacturing was among the best in the world. American watch companies like Waltham, Ball, Elgin, Gruen and Hampden, made the best watches in the world, comparable with anything made in Europe. The same was true of American pen companies like Parker, Sheaffer, and Waterman. But American manufacturing of high-quality consumer-goods took a BIG hit post-WWII, so much so that by the late 1950s, almost all these companies had either died off, or were bought out or moved manufacturing offshore – for example, Parker ended up in England and Waterman ended up in France…where they still are today.

The collapse of the American pen manfacturing industry meant that other companies – mostly European ones, started taking over. Brands like Pelikan, or Conway Stewart, Onoto, Swan and…Montblanc…started replacing Parker, Sheaffer and Waterman while these companies were in transition between new owners…or in the case of companies like Wahl-Eversharp – dying a slow and quiet death.

But why did Montblanc, of all companies, rise to fore? Why not some other company?

Part of it had to do with marketing. Companies like Conway Stewart, Onoto or Platignum (yes, there is a ‘g’ in there) did not make ‘luxury’ pens – they made solid second-tier everyday writing pens. They were not interested in making luxury products – they merely wanted to make nice products which were attractive, and worked, and which were affordable to the everyperson in the street.

Montblanc, on the other hand, was really aiming for that high-end market. With American pen manufacturing companies in limbo in the 1950s, companies like Montblanc surged forwards to fill in the luxury market once held by Parker and Sheaffer, and the company’s list of customers and clients started to grow.

The rise of the 149

As Montblanc started taking over in the 1950s, replacing or outselling other pen companies, people started taking notice – especially when it brought out the 149.

It’s fair to say that in the 1940s, 50s and 60s – most companies were not producing huge pens. Parker made a few Oversized English Duofolds, but the vast majority of pens made during this time were rather standard-sized – so this would’ve made an oversized luxury pen, such as the 149 – stand out even more. And because it stood out so much more, people started taking notice of it. People like President John F. Kennedy, and English writer Iris Murdoch. Kennedy’s use of the Montblanc 149 is particularly notable because it was used during a major televised event, which did much to boost the pen’s popularity and notoriety.

Ever since, the Montblanc 149 has been a status symbol. Rightly or wrongly, it’s a pen that everybody recognises, and which most people have heard of. Its classic black and gold profile has been imitated by countless manufacturers, both expensive and cheap, and has appeared in countless magazines, movies and television shows for decades now. It has been used by famous actors, world leaders and celebrities the world over, and continues to enjoy the reputation that it has held for nearly seventy years!

The Montblanc Meisterstuck 149 – A Pen Review

In closing off this article, I thought I’d write an actual review of the pen. So, here goes…

Value for Money

There is no denying that the Montblanc 149 is a very expensive pen. Where I’m at, they currently retail for about $1,250.00. In an age when most people would struggle to justify spending $50.00 on a fountain pen, and when most collectors would struggle to spend $250.00 on a fountain pen, it is by far, one of the most expensive models out there.

Good thing I did’t pay that much. I got mine secondhand at auction, and paid just over $200 for it, which is about 80% cheaper than the RRP!!

But, the actual price aside – is the pen value for money?

In my opinion – yes. Status and branding aside, the 149 is a solidly constructed pen. While some say that a lot of the price goes into the status and the branding and the image, I would also argue that a lot of the price goes into the quality of the manufacturing – after all, you’re buying something from a company with a big reputation, and with a big reputation to lose, if what you buy isn’t absolutely first-class, for the money you just spent on it.

The 149 is a very robust pen. It’s well-made, it’s elegant, and they last for decades with minimal maintenance. Occasional cleaning to prevent buildup of dried ink, and the odd nib-polishing will keep the pen fresh, clean and functional for many decades – the model I bought was made back in the 80s, and I didn’t have to do a single thing to it, to get it to work.

Ease of Use

Is the Montblanc 149 comfortable to use? Yes, it is. The plastic resin is smooth to the hand, and the nib writes like ice on glass. For such a large pen, it is actually surprisingly light in the hand, which means that your wrist and fingers won’t feel weighed down or unbalanced while writing – very important for a pen which you might spend a lot of time using!

The only slight issue is the pen’s size. While it isn’t heavy, it is long. And this may cause discomfort for some people in the sense that the pen may be unbalanced if you try and write with it, with the cap posted. If you have larger hands, then this might not be a problem (in fact, it may be an advantage), but in general, writing with this pen posted isn’t my idea of comfortable.

The Filling Mechanism

The 149 has a built-in piston filling mechanism. Unscrewing the end-cap forces the plunger down, expelling ink, and screwing the cap back down draws ink up, as the plunger is pulled back up. On my pen, this action is smooth and without issue. On some vintage MB 149s, the piston may become stiff from years of use.

To repair this, the piston-unit itself must be removed from the pen, and a fresh layer of silicone grease must be applied to the piston, before the unit is screwed back into the pen. To avoid damaging the screw-threads, a special piston wrench should be used, to remove the unit from the pen, and to reinstall it after fresh lubricant has been applied.

Any potential faults aside, though, I found the filling mechanism to be smooth and easy to use, and the ink window was clear and easy to use to gauge the amount of ink inside the pen. One advantage of a piston-filler over, say, a converter-filler pen or a cartridge pen, is that they do hold considerably more ink than a pen of similar size which is not a piston-filler. If you do a lot of writing, or if you’re planning on traveling a lot, and need a pen with high ink capacity, then this is certainly an area where the 149 has a distinct advantage.

The Nib

This pen has a 14kt gold nib, which is a sort of…wet, Medium-Fine. Wet nibs are better in the sense that they write smoother, with the ink lubricating the pen-point, but at the same time, overly wet nibs can be a struggle on cheaper paper, with the excess ink soaking through the page, and causing bleed-through and feathering.

In my experience, even FINE Montblanc nibs are quite wet, though. If you like wet nibs, then this isn’t going to be a problem for you, but you may need to upgrade your paper-game a bit, to find something that doesn’t feather like mad. Rhodia paper seems to be quite compatible in this regard.

Size of the Pen

The Montblanc 149 is one of the largest pens out there. While it’s light, and this makes it easier to write with, it’s also very chunky and quite long. It is sold as an “oversized” pen, after all, and certainly lives up to that! If you have especially Trumpian hands, then the MB 149 might not be for you, because of just how thick and chunky the section is. Trying to get your fingers around something so large might be awkward.

However, people with average and larger-sized hands should have no problem gripping the pen. In fact, larger sections can sometimes be an advantage in writing, because they spread the fingers out more, and make for a more relaxed, comfortable writing experience, rather than forcing all the fingers to cramp up around a small section.

Should you Buy a 149?

That can be a tricky question to answer. Is it worth the money? I think yes. Is it easy to use? Yes, unless you have particularly small hands (so for example, if you’re a smaller lady, or if you have particularly small hands, I would reconsider it and choose something else). Is it easy to fill and operate? Yes. It is lightweight and balanced? Yes. Is it going to get you noticed?

Oh Hell yes!

About the only caveat I would put on buying a Montblanc 149, is the price. As I said right at the start – the Montblanc 149 is a VERY expensive pen. Just the base model costs over $1,000 already. That being the case, I would suggest (unless money is really no object), that you buy a vintage or secondhand Monblanc 149, in good condition, instead.

If you like the piston-filling style of the 149, but not the price and the size – try the Montblanc 146 – which is everything that the 149 is – but one size down. If you want the Meisterstuck style without the piston-filling capability, then the MB 145 (next size down again) is also an option – that’s a cartridge/converter pen, which is both smaller, and lighter.