SARONG KEBAYA & BAJU CINA – Traditional Peranakan Attire

Since their settlement of the Malay Peninsula, Singapore, and the Indonesian Islands in the 1400s, the Straits-Born Chinese, Peranakan, or “Baba-Nyonya” developed a culture and customs which were as unique and as different from those followed by their Mainland-Chinese ancestors as it was possible to be.

Over the passage of centuries, the Peranakan-Chinese developed a way of life, and a type of culture and series of customs which were similar to, but also markedly different from the practices that their ancestors would’ve been familiar with in China back in the 15th century.

These differences were numerous, and ranged from subtle, to significant.

For example, the Peranakan did not prepare the same dishes, speak the same languages, or wear the same clothes as their ancestors who had left China centuries before. They used ingredients which the Chinese were unfamiliar with, to prepare delicacies which the Chinese had no knowledge of, and wore articles of clothing which would’ve been completely alien to the Mainland Chinese. All these changes, alterations and variations, caused by having to adapt to their new homeland, resulted in the Peranakan developing their own unique culture in Southeast Asia. While there were several similarities between the Straits-Chinese, and the Mainland Chinese, the Peranakan also had practices and customs which made them noticeably different from the residents of mainland China.

On top of that, the Peranakan did not speak Mandarin-Chinese. Instead, many would’ve grown up speaking Chinese dialects – either Hokkien, or Cantonese, or a variant of the Malayan language known as “Baba Malay“, a creole-style language using elements of Malay, Hokkien, Cantonese, and also later, English, which had no relation to the languages spoken in China. In the 1800s, the Peranakan also started learning how to speak English properly. This was largely thanks to schools established in the second half of the 19th century, which allowed an increasing number of Peranakans to both speak, read, and write English with greater proficiency.

One of the main ways in which the Peranakan were different from the mainland Chinese was in what they wore.

Before the widespread influence of European fashions in the 1900s, Peranakan women (nyonyas) almost exclusively wore tubular wrap-around skirts called sarong. For the longest time, most Peranakan men (babas) also wore sarong. In the hot, humid, muggy climate of the South Pacific, it was the most practical thing to wear. Easy to put on, easy to take off, easy to wash, and easy to dry. By the 19th century, however, most babas had made the switch to more European styles of dressing (adapted for tropical climates), while nyonyas kept their traditional outfits.

A baba-nyonya wedding photograph, ca. 1910. The baba is dressed in a suit, while his bride wears traditional Peranakan wedding-attire, inspired by the wedding-traditions of their mainland Chinese ancestors from centuries ago.

Sarongs don’t have any fasteners – they’re simply wrapped around your body, then tucked and rolled like a towel. To hold it in place, an optional belt was added beneath the rolled upper hem, around the waist, although this was a practice mostly adopted by the women or ‘nyonyas’ rather than by the men. By the late 1800s, these belts were elaborately fashioned from sterling silver, or 22kt gold (if you could afford it), or silver-plate (if you could not!).

On their feet, nyonyas traditionally wore “kasut manek” – Beaded Slippers. These were outdoor slippers, worn for everyday use. Intricately handmade, one pair of such slippers took weeks, or even months to produce. Men also wore kasut manek, but almost always as house-slippers, and never outside.

Up-top, Peranakan men wore traditional Chinese shirts or jackets known as “shan” or “changshan” (also known as “baju cina” or “Chinese Clothes”).

Originally, women wore a similar garment known as a panjang or “baju panjang” (literally “long blouse” or “long tunic”) – a long-cut, loose-fitting, long-sleeved tunic.

By the early 1900s, the baju panjang was seen as a very Victorian-era holdover – overly formal, and old-fashioned. This was when the much shorter, lighter blouse or “Kebaya” started taking over. By the end of the Edwardian era, it had pretty much replaced the older Baju-Panjang (although some older “bibiks” kept wearing them) in popularity.

A Peranakan family from the early 1900s. Notice the mix of traditional Peranakan, and more modern European styles of clothing

Just like the sarong, the kebaya (and the panjang) did not have any fasteners. No buttons or zippers or clips. To hold them shut, a nyonya used a “kerongsang” (also spelled ‘kerosang’) – three brooches on a chain, fastened at the bust, the torso, and the waist. Again, like the belt which held up the sarong, the kerongsang was almost always made of either high-grade silver or high-karat gold, sometimes studded with diamonds.

Whether they were sarong (for the nyonyas) or shirts or tunics (for the babas), many Peranakan-style clothes were batik-printed. This hot-wax printing and dyeing process was invented centuries ago in Indonesia (specifically Java) and the style became very popular among the Indonesian Peranakans, and spread to those residing further afield in Sumatra, Singapore, and further up the Malay Peninsula.

Today, nyonyas still wear traditional sarong-kebaya outfits during special occasions, and men will wear sarong (usually at home, but not in public) or batik-print shirts to connect with their past and heritage.

 

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